Rotti
Fractal Fanatic
I know what you're thinking, "there's already an envelope," but hear me out...
Suppose you have an EQ last in your chain before output, and suppose it's dialed in to simulate a Fletcher-Munson curve correction.
If you could control the mix to that EQ (via modifier tied to front panel output level control), where as you increase the output level the F-M EQ gradually had less effect on the signal, you could effectively have a one-knob, responsive control allowing you to dial in at low volume while trusting you'll still be in the ballpark when cranked.
Definitely would still require an individual to know their playback system and put in the leg work to make it useful for them, but I think it's a solid alternative to having presets for loud and others for quiet.
Suppose you have an EQ last in your chain before output, and suppose it's dialed in to simulate a Fletcher-Munson curve correction.
If you could control the mix to that EQ (via modifier tied to front panel output level control), where as you increase the output level the F-M EQ gradually had less effect on the signal, you could effectively have a one-knob, responsive control allowing you to dial in at low volume while trusting you'll still be in the ballpark when cranked.
Definitely would still require an individual to know their playback system and put in the leg work to make it useful for them, but I think it's a solid alternative to having presets for loud and others for quiet.