I have figured the mystic secret to Fletcher-Munson

Hilarious thread, but honestly the OP makes sense to me. No need to explain it though because we are very far past that point now. :)
 
Loquenau said:
Record a couple parts against each other, and pan 'em. Listen at very low volume. Does it sound small and like there's lots of 'space' between each speaker/sound source? Is each part distinct? If yes, turn it up. The parts should sound big now, but there's still room for other instruments.
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That's simply an engineering trick to check a mix (make sure parts are EQd such they don't step on each other & sound good quiet/loud).

It doesn't address the F-M tendency for patches to have too much high end when cranked, unless the OP's phrase "big now" means highs you've tamed those highs at volume. I think there's a language issue here.
 
guitarded said:
isn't it right about now we get Rick Rolled or a pop-tart joke?
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Wait for it.....


Rex said:
Now that half the board has had some fun at Loqeunau's expense...

Tell us what you meant, my brother!
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I meant nothing. It was all an opportunity to......


Has anyone noticed there's a specific number of periods I use in each instance?....they correlate to the kind of intent I have at that moment and within the content, a semi-specific metaphorical theme to each number, across instances.
 
Loquenau said:
Wait for it.....




I meant nothing. It was all an opportunity to......


Has anyone noticed there's a specific number of periods I use in each instance?....they correlate to the kind of intent I have at that moment and within the content, a semi-specific metaphorical theme to each number, across instances.
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We need a Legend... just like on a map, if you are to go this route.

= No intent
. = Little intent
.. = A little more intent, but not quite enough
... = "I got out of bed didn't I?"-ish intent
.... = "Oh no you di-in't!!" Laquisha type of intent
..... = "You just spilt my kool-aid and took a bite out of my watermelon, you gonna die now"-ish intent
 
^^^^
Agreed
niece-and-monkey-donot-trust-eachother.jpg
 
Loquenau said:
Has anyone noticed there's a specific number of periods I use in each instance?....they correlate to the kind of intent I have at that moment and within the content, a semi-specific metaphorical theme to each number, across instances.
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If only you'd said this at the beginning.

Odd numbers only? Yes. I thought so.

It's like why bees are blue; the higher the fewer.
 
boolean said:
View attachment 17695
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HAH HAH HAH HAH HAH HAH.


mortega76 said:
We need a Legend... just like on a map, if you are to go this route.

= No intent
. = Little intent
.. = A little more intent, but not quite enough
... = "I got out of bed didn't I?"-ish intent
.... = "Oh no you di-in't!!" Laquisha type of intent
..... = "You just spilt my kool-aid and took a bite out of my watermelon, you gonna die now"-ish intent
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It's more qualitative and more creative than that, beau. In standard grammar, three elipses is for the ommission of text in a context. I always use that accordingly. Then there are my other uses: in THE ILLUMINATUS! trilogy, five is a number of auspiciousness, sometimes irony, occasionally mischief; six elipses connotes some measure of pensive-ness and sideways curiosity; four is always some manner of dubiosity, perhaps even stern-ness. Beyond six and the meaning is quite nebulous, intentionally. ((This alone would qualify for Discordianship. However, I have long been far beyond that, and it doesn't suit me, anyways.)) Also note that different numbers follow each other.....


BigD1977 said:
An opportunity to posture? :p
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Well. Since you asked so nicely.


romanianreaper said:
And unfortunately small in the bedroom equals big disappointment.
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Hah hah. But, not necessarily. I think no one would enjoy going there, though. While almost invariably educational, it would quite likely be uncomfortable. For you.


Writing about music is like dancing about architecture. - Martin Mull
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For those who know nothing about [music], there is nothing to talk about.


Swedish Chef said:
I'd say your semi-specific pretentious wittiness is more instantly annoying than the opportunistic punctual punctuations of your metaphorical momentary number-themes..............................................................................

:|
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My, you're taking this awful seriously. No fun in Chef. But I could *put* some in ya!
 
This thread has me feeling the exact same way I felt after watching the final episode of the Sopranos. You know what I'm talking about. :/
 
The amount of grammatical errors and misspellings would not indicate that the proper use of the ellipse is to be assumed or expected.

Saying what you mean in plain non-obtuse language is usually the done thing in communication that is, if communication is the intent.
 
Look
I understand too little too late
I realize there are things you say and do
You can never take back
But what would you be if you didn't even try
You have to try
So after a lot of thought
I'd like to reconsider
Please
If it's not too late
Make it a cheeseburger
 
((edits indicated))

BigD1977 said:
Saying what you mean in plain(,) non-obtuse language is usually the done thing in communication that is, if communication is the intent.
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I say what I mean - how I want to say it.

I have the opportunity to not give a fuck about what people in this world think. How they feel is theirs to take care of. (Incidentally, I have had the opportunity to tell some females that latter recently. LOVED the power of that one!)
 
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