I'm quite happy not to have known the "commandments" 28 years ago when I started playing; I probable would have abandonned the first day I read that. Why not indicate also the string tension in Nm, the height in µm, the brand of the steelwool for poloishing your frets, the couple for neck tighting screws etc etc. And BTW I still change strings only when one breaks; an attitude that I will have to change on my Fame Forum IV : strings never break on this axe. I guess I'll have to opt for a "once a 4-6 months" change
)))))). Also am I using the cheapo 011 Darco strings, some sub-brand of a big name in the string area, and do not regret this at all. When on a gig, what you transmit is the energy, nothing less nothing more. Who never has been bored by a concert of so-called great "(local) star" musicians showing off with top gear but just doing what they're paid for, but been excited about 4 kids playing on 10$ gear at a street corner.
Purists are purists, technicians are technicians, artists are artists and music is music; and not necessarily nor implicitly correlated. Why bother if people are buying or not a piece of gear while not having all the skills for using it properly; look at a 90 year old drivers in a Porsche, what the heck ? At least Axe buyers won't kill anybody while playing around with their toy and also they're not occupied with stupid computer games. This is one of the particular things I like about the axe, it is so accessible for anybody between 7-77 years old. And the price is not that high at all, not to say "extremely low" comparing the performance you get under your hands. The fact that even "beginners" buy the axe is the best confirmation that the engine is considered as a clever investment. Absolutely right IMHO, so I guess, as the business continues to flourish, the best Fractal Audio could do is publish a "top ten" of user questions, ha!
To get back on the original subject : the axe tuner "rocks", the ball works at perfection but is not an indispensable tool for me.