favance
Power User
So, after experimenting for the last few years w/CAB IRs, I'm starting to believe that one of the last components of our quest is the Cabinet room/mic techniques.
Question: how come of all the IR's most lack the "in the room" IR that experiment with the mic placement in the room?
After reading this month's Guitar Player magazine review w/Joe Bonamassa, I am convinced that this is the missing/secret ingredient to our quest. Fractal has done a magnificent job at modelling all aspects of the guitar amp/effects. However, the guitar cabinet/mic modeling has yet to come close to the real-world combinations used by many great artists...
Why do most IR distributors lack the vision to use/include the "room" mic techniques used by most of the great recordings?
Question: how come of all the IR's most lack the "in the room" IR that experiment with the mic placement in the room?
After reading this month's Guitar Player magazine review w/Joe Bonamassa, I am convinced that this is the missing/secret ingredient to our quest. Fractal has done a magnificent job at modelling all aspects of the guitar amp/effects. However, the guitar cabinet/mic modeling has yet to come close to the real-world combinations used by many great artists...
Why do most IR distributors lack the vision to use/include the "room" mic techniques used by most of the great recordings?