1500/2000$ for each amp head ... about 1000/2000$ for a good fx pedalboard... about 500/800$ for a single cab... plus mics... mic preamps... outboard (eq... compressors etc) ... say 3000/4000$
It still does make very limited sense to me, though. I've never played a venue where the sound guy let me turn my tube amp high enough to overpower his mixing (dis)abilities. The cab was always mic'ed and I was always told not to use too high volumes so he/she could have control of the mix. So in my case, Glenn's argument does not apply.he was talking about using the axefx live over a club PA system with a local sound guy .... watch the video carefully, then it start to make sense - on his point of view.......okey, never mind...
It still does make very limited sense to me, though. I've never played a venue where the sound guy let me turn my tube amp high enough to overpower his mixing (dis)abilities. The cab was always mic'ed and I was always told not to use too high volumes so he/she could have control of the mix. So in my case, Glenn's argument does not apply.
if they have more control over the volume of the monitorsound, they are more motivated and get better results in the end. And this is my personal experience, not what "I think, that could be"...
You basically just told that sound guys could be as narrow minded as guitarists. True story, though.PacoCasanovas said:I don't care what others said but to proof them right, they gave me stupid mixes and blame it on the unit.....
Remeber, for sound guys, even for bad ones, guitarists were always stupid animals.....mostly too loud, to complicated when it comes to sound, think they can run stereo FX on stage as they do at home etc....