Wish Gated Delay For Delay Block

[ApocalypticKatana]

Basically whenever you stop playing , the delay repeats is gated/silenced out

Demo of the feature

 

[unix-guy]

Assigning the Envelope Follower or ADSR to the Feedback control would be a starting point.

 

[iaresee]

Being able to set negative values on the ducker parameter would let you do this pretty easily.

 

[unix-guy]

Being able to set negative values on the ducker parameter would let you do this pretty easily.

I was thinking the same thing - Inverse Ducker

 

[ApocalypticKatana]

Haha okay please delete this thread

 

[iaresee]

Haha okay please delete this thread

Why? You can't actually do what I mentioned. We'd need it implemented.

 

[ApocalypticKatana]

Why? You can't actually do what I mentioned. We'd need it implemented.

Read your reply wrong my bad

 

[KFM]

If you put the Delay in parallel with a gate after it and the gate is triggered by the input-signal, you should have exactliy the desired effect.

 

[Daveis]

Tim Pierce on youtube posted a video recently where he was able to have the trailing reverb/delay trail off when he stopped playing. Like inverse ducking for lead tones.

 

[Del Pedro]

Use Delay in parallel and set bypass to mute output?

 

[chucma]

Use Delay in parallel and set bypass to mute output?

This wouldn't be the same because you would have to manually bypass the effect when you stop playing which would be considerably hard. Using a gate as suggested above with the right threshold would automatically cut the effect out when in parallel.

 

[Admin M@]

You don't need a gate block. A Modifier (Envelope source) on MIX will do the same thing.
I'd also probably find it interesting to use the same source on Feedback or Master Feedback in two ways:

1) Reduce/Kill feedback when the input level drops (but with a little more release time). This creates more distinctly separate musical passages, so the feedback from one phrase doesn't overlap when you resume playing after the "gate" is closed.

2) Boost feedback when the input level drops. This has the opposite effect, and fills the spaces with lingering feedback as the level drops. When you begin playing again, the delay will immediately be heard as dense with echoes, and feedback will decrease.

Also, that pedal is not at all the "very first" gated delay -- just (maybe) the first version of such a thing in a pedal.

 

[Admin M@]

Playing with it now, it makes me wish you could add a modifier to High Cut or Low Cut in the delay block EQ so echoes could not only become quieter but "dissolve" over a few hundred ms. I will ask @FractalAudio

 

[Budda]

Go M@ go!

 

[Joe Bfstplk]

Assigning the Envelope Follower or ADSR to the Feedback control would be a starting point.

Run the delay parallel, and add a gate (set to listen to the guitar input) on the delay output, and you should be able to get this sound....

 

[2112]

Playing with it now, it makes me wish you could add a modifier to High Cut or Low Cut in the delay block EQ so echoes could not only become quieter but "dissolve" over a few hundred ms. I will ask @FractalAudio

Me likey!

 

[2112]

Bumping this one!