• Wrecker 2
• Ace SM57 B1 (Cab Pack 8.)
• Ace R121 A1 (Cab Pack 8.)
bomb dropped.
Can't wait to hear how god awful the Soldano sounds to my ears in FW 18 (and how beautiful most of the rest sound).
Hey guys I will try to answer all the questions - No nothing I did not like about it, exact opposite, instantly loved it. Volume on my RCF was varied from low to more than gig volume (so super quiet to crazy loud). Headphones sorry no clue, my setup is not tweaked for that so I can't comment but I would think if it is good for you now then it will be smoother and warmer after the upgrade. Was right out of the gate for me, tweaking was no big deal, reset amp, set the gain, pulled back the depth moved the amp master around a bit, then just a few tweaks with treb/mid/bass. No advanced parameters were tweaked. Stuck with same cabs. I am OK with tweaking my presets with firmware upgrades, I get some people's frustration but if you are happy then don't upgrade. I will put the time in to get the benefits of the firmware upgrades. I stick to one clean, one mid dirty, one higher gain but still more like a rythym tone and use scenes and " boost pedals" for solo's so I tweak like three presets and I am done. Many times I have upgraded and spent 20 minutes and then off to a gig. I always make sure not to have too much bass/depth and use the high/low cut in the cab block.
Ha ha OK the who is this guy questions are funny, but here goes long time fractal user (on the artist page) lots of my actual amps are in the axe (Carol Ann Triptik, Bogner Shiva, Blue Face Diezel VH4, Carol Ann 1-12 cab). Long time Carol Ann, Fractal and Tom Anderson artist, live in Boston, more of a lurker than a poster but do a lot of studio and live stuff. Here is a link to my original band's music.
https://soundcloud.com/fightingfriday/tracks
Hope this helps you guys are in for a treat with G3
It's an acquired taste. The key to an SLO100 is to run the MV high so that the mids thicken up. Otherwise it's a shrill mess. In certain contexts with the right IR it can be a cool sound.
It's an acquired taste. The key to an SLO100 is to run the MV high so that the mids thicken up. Otherwise it's a shrill mess. In certain contexts with the right IR it can be a cool sound.
100% agreed. That was the behavior of the physical amp. I could never get a good sound out of until it was at paint-peeling volume, but hooboy did it sound amazing!It's an acquired taste. The key to an SLO100 is to run the MV high so that the mids thicken up. Otherwise it's a shrill mess. In certain contexts with the right IR it can be a cool sound.
It's an acquired taste. The key to an SLO100 is to run the MV high so that the mids thicken up. Otherwise it's a shrill mess. In certain contexts with the right IR it can be a cool sound.
It's an acquired taste. The key to an SLO100 is to run the MV high so that the mids thicken up. Otherwise it's a shrill mess. In certain contexts with the right IR it can be a cool sound.
Or send Cliff your amp to model.
Really really dig your bands stuff! I am a Boston guy as well so let me know where I can go to check you guys out.
FW18 SLO 100... Master volume is at 4:
FW18 SLO 100... Master volume is at 4:
I am glad to see this response. Reality should be the final arbiter on this sort of thing, IMHO. Save idealizations and personal preferences for the FAS custom models, et al.