guitarnerdswe
Fractal Fanatic
As the title implies, a huge shout out and thanks to Lean Todd (@2112 ) for supplying all the sound clips that made these possible. These are all matched to the original hardware, and I'm quite happy with how authentic they are.
BOSS CE-1 (preset)
Done in "stereo" mode, which is dry to the left and wet to the right. The heavy colouration of the wet signal is copied. Chorus intensity controls the speed, nothing else. The waveform for this mode is a triangle. Vibrato is actually a chorus, but it uses a sine waveform and the speed knob takes off from where the chorus left. Speed and depth are highly interactive. The rate tops out at 10.8 Hz.
ADA MP-1 CHORUS (preset)
Kind of a weird chorus. Most settings are way too fast and wobbly for anything other than a faux leslie. Also, the volume modulates with the sweep. The delay line gets quieter the further away it is from the dry (IOW at the far end of the sweep). So that's why rate and block level are tied to LFO1 and LFO2 respectively.
EVENTIDE MICROPITCH (block)
Done from an H3500, which is an H3000 with sampling capability. Same sound. Channel A is preset #231, B is #519. #231 is built on a simpler algorithm compared to #519, which is built on one that is a bit more complex and smoother. #231 is the one used by EVH, Lukather, Landau etc. #519 wasn't even available on the first 2 versions of the H3000, debuting in late 1989 with the H3000SE.
BOSS CE-1 (preset)
Done in "stereo" mode, which is dry to the left and wet to the right. The heavy colouration of the wet signal is copied. Chorus intensity controls the speed, nothing else. The waveform for this mode is a triangle. Vibrato is actually a chorus, but it uses a sine waveform and the speed knob takes off from where the chorus left. Speed and depth are highly interactive. The rate tops out at 10.8 Hz.
ADA MP-1 CHORUS (preset)
Kind of a weird chorus. Most settings are way too fast and wobbly for anything other than a faux leslie. Also, the volume modulates with the sweep. The delay line gets quieter the further away it is from the dry (IOW at the far end of the sweep). So that's why rate and block level are tied to LFO1 and LFO2 respectively.
EVENTIDE MICROPITCH (block)
Done from an H3500, which is an H3000 with sampling capability. Same sound. Channel A is preset #231, B is #519. #231 is built on a simpler algorithm compared to #519, which is built on one that is a bit more complex and smoother. #231 is the one used by EVH, Lukather, Landau etc. #519 wasn't even available on the first 2 versions of the H3000, debuting in late 1989 with the H3000SE.
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