Greetings. Get ready for some N00b questions. I run a complex pedalboard and am wondering how much of it I could replace with the FM8. I have a few specific questions.
I play a full range instrument (touch guitar) that goes from low Bb of a bass to high D on the 22nd fret of the top string on a guitar. I have found bass effects work best for this instrument -- perhaps because I'm originally a bassist and want to keep my low end and low mids intact.
1. How are bassists liking the pedal models? Right now I run an Xotic BB bass pre for overdrive, an Idiotbox Blower Box (Rat modded for bass with EQ), and a VFE Woodchipper fuzz (gated brassmaster-y) for distortion tones. I know there are guitar versions of these available in the FX8 but I'm wondering about pedals that go "all the way down" -- one of the things I like about these specific pedals is precisely that they work on the low end. I've tried with Line6, and while I like the Teemah as an OD, the Rat and fuzz models all need clean lows to work which is a PITA and does not sound right to my ears. I'm not looking for absolute 1:1 fidelity, but just something that I and my bandmates think sounds good.
2. I do a lot with weird reverbs. One reverb I love is the Neunaber Wet, and I also like using an expression pedal to build up predelay feedback in a big reverb. Think Eventide Black Hole or Source Audio Ventris. How are those kinds of sounds on the FM3? Relatedly, is it possible to high-pass the reverb send for a reverb? Both the Neunaber and the Source Audio do this. I find I like to filter out everything under 200hz on the wet side of reverbs for a decent low end.
Gain staging at gigs:
3. I know that the FM3 does presets and scenes and get how that works. Not that I'll be gigging for the next 4-8 months, but let's say you need to use multiple presets at a show because you like to program weird sounds and 8 scenes won't get you through a setlist. On a normal pedalboard with separate pedals, I can tweak things a little (too much boom or not enough on the Woodchipper, for instance, or needing a bit more or less push from the Blower Box), and then use my H9 and Ventris for the weird preset stuff. Takes 10 seconds at a soundcheck and the sound engineer is happy. This is impossible and a PITA with the Line 6 because there is no way to adjust settings across presets. How would you deal with this on the FM3?
TIA!
I play a full range instrument (touch guitar) that goes from low Bb of a bass to high D on the 22nd fret of the top string on a guitar. I have found bass effects work best for this instrument -- perhaps because I'm originally a bassist and want to keep my low end and low mids intact.
1. How are bassists liking the pedal models? Right now I run an Xotic BB bass pre for overdrive, an Idiotbox Blower Box (Rat modded for bass with EQ), and a VFE Woodchipper fuzz (gated brassmaster-y) for distortion tones. I know there are guitar versions of these available in the FX8 but I'm wondering about pedals that go "all the way down" -- one of the things I like about these specific pedals is precisely that they work on the low end. I've tried with Line6, and while I like the Teemah as an OD, the Rat and fuzz models all need clean lows to work which is a PITA and does not sound right to my ears. I'm not looking for absolute 1:1 fidelity, but just something that I and my bandmates think sounds good.
2. I do a lot with weird reverbs. One reverb I love is the Neunaber Wet, and I also like using an expression pedal to build up predelay feedback in a big reverb. Think Eventide Black Hole or Source Audio Ventris. How are those kinds of sounds on the FM3? Relatedly, is it possible to high-pass the reverb send for a reverb? Both the Neunaber and the Source Audio do this. I find I like to filter out everything under 200hz on the wet side of reverbs for a decent low end.
Gain staging at gigs:
3. I know that the FM3 does presets and scenes and get how that works. Not that I'll be gigging for the next 4-8 months, but let's say you need to use multiple presets at a show because you like to program weird sounds and 8 scenes won't get you through a setlist. On a normal pedalboard with separate pedals, I can tweak things a little (too much boom or not enough on the Woodchipper, for instance, or needing a bit more or less push from the Blower Box), and then use my H9 and Ventris for the weird preset stuff. Takes 10 seconds at a soundcheck and the sound engineer is happy. This is impossible and a PITA with the Line 6 because there is no way to adjust settings across presets. How would you deal with this on the FM3?
TIA!
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