I am certain that many of the amp models have steadily become more tolerant to my own pick-ups and I assume to the countless types of shitty pickups that must get thrown at them.
And somehow at the same time they became vastly more responsive to the pick-up controls.
At one point after getting the FM3 I seriously considered buying active pick-ups for the first time since the early 80’s thinking sterile and clean might be the way to go since my passive pickups lost all dynamics anyway when played thru it.
I now consider it a luxury to give zero shits about talk of the latest greatest hum-buckets, stomp-boxes, racks, mixers, effects loops, DI and load boxes, interfaces, simulated outs, switchers, spliters, MIDI controllers, patch cables, adapters and god only knows what else you could possibly corrupt a simple signal chain with these days.
At the same time I can totally liberate my real amp to just do the one thing it does best- set and forget.
And use the FM3 for all the absurd stuff that would be a nightmare to pull off any other way.
I now have serious trauma and regret issues that might never fade because of the time, resources and thought that I completely wasted in wet/dry rigs over the decades.
The only thing I miss is a good handful of Eventides best delays and the not insignificant higher level of fidelity and resolution that you will only ever get with the very best dedicated effects processors.
And I don’t care about what the peasants at your shitty gig will fall for-
I still appreciate the sound of the very best of the best effects for my own enjoyment.
But on the flip side all of the FM3 effects are guitar oriented and that goes a long way when remembering what it’s like struggling to force a gorgeous keyboard effect to work with a guitar.
I tried telling myself that maybe some of that now useless experience might come in handy when routing effects in the FM3-
but even a drummer could build a decent preset with this thing.