Colorado Axeman
Inspired
Here's the classic volume swell effect made famous on the song "Dreams" - with leslie effect.
http://axechange.fractalaudio.com/detail.php?preset=9948
http://axechange.fractalaudio.com/detail.php?preset=9948
Did you try to cover the guitar fills and swells? How do you think that went?I had a chance to play this at a block party last month. Just a fun song.
OMG, I was NOT expecting that VOICE to come out her!Thanks
BTW, for the three people that somehow missed this addictive cover version... Enjoy!
Lanie Gardner - Dreams by Fleetwood Mac (Cover)
I can put that for 2 hours on repeat, and do the same the next day LOLOMG, I was NOT expecting that VOICE to come out her!
Nah. That's just great vocals and really good musicians-Jeezzz, she was\id so special................Yes I'm an antique, but that's really good.
Such tasty guitar, tasty vocals and harmonies, rhythm section, just all around good stuff.
Nothing flashy, just good music.
That live Fleetwood version is still pretty good in my book.I'll take the original thanks...............
Four. Never saw that. Good voice.Thanks
BTW, for the three people that somehow missed this addictive cover version... Enjoy!
Lanie Gardner - Dreams by Fleetwood Mac (Cover)
Dave- I meant Stevie Nicks (as in original vocalist) and not the COVER-----That live Fleetwood version is still pretty good in my book.
Are you kidding? "Hey, I heard you bought an ice cream cone. Did you eat the ice cream part?"Did you try to cover the guitar fills and swells? How do you think that went?
Cool. I didn't mean any disrespect, kinda the opposite. That's some subtle and understated stuff. Not everybody can chill out like that live, and also do the necessaries to bring out that feel he's got, the whole band really.Are you kidding? "Hey, I heard you bought an ice cream cone. Did you eat the ice cream part?"
Hell yes, I covered the swells and fills. They're the funnest part of that song. It took some study, though. There's some tricky stuff going on there. Just getting into Buckingham's head, to feel why he's making those choices, was a study all by itself. And the tone. I think it went very well. I ended the song on a high. I didn't nail every nuance, but it was easily close enough for the audience and for my bandmates.
No offense taken. My response was one of exuberance. Like, “How could I not take the opportunity to really try to learn this one?”Cool. I didn't mean any disrespect, kinda the opposite. That's some subtle and understated stuff. Not everybody can chill out like that live, and also do the necessaries to bring out that feel he's got, the whole band really.
Eva Cassidy was one of a kind. Nightbird, a song sung by Eva (but not written by her) is a much better song imho. But everuthing Eva did was great-When Rumours came out (#1 for more than a year, IIRC), I wore out a tape of it (so to speak), playing it for months.
The one song that never registered with me back then was Songbird.
I only realized how gorgeous it could sound when I discovered Eva Cassidy's cover...
Eva Cassidy - Songbird
For the four people that haven't heard of her, she's probably the best interpreter I will ever know. Her covers often hugely improve on phrasing, melody, etc. I've heard people in song contests steal her phrasing/melodies. Sadly, she died early, then got kinda famous for her amazing cover of Over The Rainbow. People tend to see her as an actual angel...
For Songbird, the versions are different enough that you can enjoy both.
There's a few documentaries about Eva, at least one also featuring Mick Fleetwood...
Eva Cassidy - Timeless Voice