Magharleoni
New Member
Ok, so basically I've been playing Live for a year now with the FM3, and I wanted to achieve a bigger sound—something like a double-tracked guitar. To do that, I initially used a dual delay set to 20ms and 50ms to make my sound bigger, but it still sounded like a delay. It was an improvement over just one signal, but it wasn't quite what I was looking for.
So, I came up with this idea. Unfortunately, in the FM3, we only have one of each when it comes to amps and cabs, so here's what I did: I split my signal with the Vol/Pan block. The top path is the left, and the bottom is the right. Then, I added a mono digital delay at 20ms, set as clean as possible—just giving a bit of delay (duh) to my signal, with some latency.
After that, I set the input to stereo on the cab block, with two different cabs receiving each signal. The result? Amazing. It was closer to a studio sound than I expected.
Hope it helps someone out there!

So, I came up with this idea. Unfortunately, in the FM3, we only have one of each when it comes to amps and cabs, so here's what I did: I split my signal with the Vol/Pan block. The top path is the left, and the bottom is the right. Then, I added a mono digital delay at 20ms, set as clean as possible—just giving a bit of delay (duh) to my signal, with some latency.
After that, I set the input to stereo on the cab block, with two different cabs receiving each signal. The result? Amazing. It was closer to a studio sound than I expected.
Hope it helps someone out there!
