yek
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On top of that I like splitting my signal out 1 to foh out 2 to backline for stage monitoring. Scenes dont leave room for that.
Can you explain? You can still use the FXL block for this.
On top of that I like splitting my signal out 1 to foh out 2 to backline for stage monitoring. Scenes dont leave room for that.
Do you have the MCF-101? And are you using Axe fx Mode?
So your IA function change from one patch to the other?
I think this is not possible in Axe Fx Mode? I also think it is not possible to have multiple functions/changes under one IA switch in Axe fx Mode?
So far I have used only Axe fx mode on the MCF for convenience but maybe it is limiting too or maybe I am not ware of all the possibilities of it (?).
(I am not using Scenes either)
Do you have the MCF-101? And are you using Axe fx Mode?
So your IA function change from one patch to the other?
I think this is not possible in Axe Fx Mode? I also think it is not possible to have multiple functions/changes under one IA switch in Axe fx Mode?
So far I have used only Axe fx mode on the MCF for convenience but maybe it is limiting too or maybe I am not ware of all the possibilities of it (?).
(I am not using Scenes either)
If you are using multiple presets it might be hard to remember where every IA is for when you are using a different function for the same IA in different presets.
Same here. Never even had a pedalboard in the old days (had a nice rack with a looper as soon as I could afford it).I only use presets (perhaps because I am used to play with Synths and Sound Modules). I don't even use scenes or X/Y
BTW. This analog pedal input control feels more accurate than going over MIDI, but theres only one pedal jack on the Axe box. I guess it must be that the effect processing resolution inside the Axe is higher than MIDI's 128 steps?
I do neither. I insert all muting/unmuting of blocks and X/Y changes into my backing tracks, and keep a cloned backup laptop. I cue the backing tracks with the Gordius "keypad mode". This gives me instant random access to any axe-fx patch and any backing track, something the MFC doesn't do.When you play live with the AxeFx, do you prefer the stomp box approach (staying within one, or a few, preset while using pedals to bypass block) or do you prefer to use the pedals to rather switch between your presets? Or maybe you have a reason for combining both methods in a certain way?
Over here I use a Gordius Little Giant MIDI pedalboard to control my AxeFx. This has banks of ten step-on switches and jacks for four analog expression pedals that gets converted to MIDI that is sent into the AxeFx (and other gear). I like to use the Axe's own analog pedal input for an expression pedal handling delicate functions like "volume pedal" or "freeze reverb" and I want that as a "stomp box" feature to have that pedal instantly playable.
Presets for me, but I want to give scenes a try tho. It may just change my way of thinking.
Guitarist9891;777177 On top of that I like splitting my signal out 1 to foh out 2 to backline for stage monitoring. Scenes dont leave room for that. [/QUOTE said:Why is that?