Cragginshred - You'll like them. Compared to my RCF full range Art 200a speakers, around 120-200hz isn't as pronounced, and they sound a lot better at lower volumes. You might notice the same. It takes some getting used to.
I've done three gigs so far on my MK2s, and what makes CLRs so great - being smooth & clear at lower volumes - is also what makes them more temperamental at gig volumes with high frequencies. This might not be as noticeable for guitar-only use, but I've noticed it from around 4kz and up when using CLRs as a gig PA system and crossing them over at 80hz with a sub.
For example, at two lower volume gigs, they were smooth and clear. I hardly touched master EQ. But dialing them at gig volume in a friend's 30x30 workshop and a couple days later at a louder gig/venue, I was pulling the 4k to 10k region more than a little bit, and they sounded a tad boxy at around 700hz. That's first impressions and maybe just the spaces I was in, but once I compensated, they sounded nice as a full range PA system with a sub underneath them.
I'm looking forward to more gigs with them. Unfortunately my two gigs before Xmas are at Denver International Airport in the central terminal, and I'm going into cheap gear that a production company is invoicing the client for so I can't use the CLRs - but I want to!
Maybe I'll use one CLR as a floor monitor instead of my little FBT.
