Umm, the Jazz 120?Some of the players you mention moved to using solid state amps like a polytone in their later years. We don't have any good amps for that in the Fractal,
Umm, the Jazz 120?
Thanks fot the tips , it can help .Many of those players use very different amps, and have even used different amps through the years. Many classic jazz guitar recordings were done using a Fender Tweed deluxe. After the 60s many players started using blackface Fenders like Twin or Deluxe reverb.
Some of the players you mention moved to using solid state amps like a polytone in their later years. We don't have any good amps for that in the Fractal, but the whole point of those amps are just to amplify the guitar as cleanly as possible. So you could get close to that sound by using just an IR and some reverb. Some compression with the compressor block could also work in that context.
I like the Silverface Priceton (Princetone AA94) or Vibrato verbAA for jazz. The vibratoverb needs the input trim to be lowered to get clean enough, but I like it for jazz. I have also used the Tucana clean for jazz. Any clean fender style amp would work well, especially when lowering the input trim to 0.5 to simulate the "low" input on a amp.
I realize that but it is a solid state clean amp in Fractal land and with the new comp algo's it get's pretty nice. USA pre clean is also a good option as is the Blues Jr. and TwinThe Roland Jazz Chorus, even though it has jazz in its name, is not an amp that most jazz players like. It is a solid state amp though, but does not sound anything like a polytone, acoustic image or Hendriksen that the jazz players that use solid state use.
I use the JAzz Chorus for some songs I play............I realize that but it is a solid state clean amp in Fractal land and with the new comp algo's it get's pretty nice. USA pre clean is also a good option as is the Blues Jr. and Twin
The Roland Jazz Chorus, even though it has jazz in its name, is not an amp that most jazz players like. It is a solid state amp though, but does not sound anything like a polytone, acoustic image or Hendriksen that the jazz players that use solid state use.
Check out Jeff Golub, died too young. His roots were jAzz like his stuff with avenue Blue. He liked Twin Reverbs. I agree that semi or hollow body guitars lend a lot to the Jazz sound, n but I prefer Jeff Golubs approach to jazz. Used a Semi Hollow body then but later switched to a Fender Red Start for more bluesy tones.
Olá pessoal do jazz, qual amplificador começar para um "som de jazz clássico", Pass, Hall, Benson, Metheny...? PRS Hollowbody II Piezo
Obrigado !
Não JC120 por favor![]()