OrganicZed
Fractal Fanatic
Check out this preset from Simeon
https://forum.fractalaudio.com/threads/zvex-instant-lo-fi-junky.168852/
https://forum.fractalaudio.com/threads/zvex-instant-lo-fi-junky.168852/
Can't do what?Most of why I want a poly digit/beebo is the tape stop sound on command. That and weird glitch goodness that the axe cant do as yet.
Too many people had absolutely no idea how delays reacted when changing the speed, and they'd complain, so Cliff changed the algorithm but left it in the tape delay."Originally all the delays "chirped" when changing the tempo (like many other effects processors). I rewrote the primary delay types so it cross-fades between tempos when you tap a new one to avoid this. The tape delay type doesn't do this so that you can use it as you would an actual tape delay and get all those cool effects by changing the head position or motor speed." [9]
There are some cool glitch things that can be done with the Axe-FX, but glitch is a frequent topic of wish threads, especially effects that need buffers or tight gates or rhythmic division etc.Can't do what?
Check out this preset from Simeon
https://forum.fractalaudio.com/threads/zvex-instant-lo-fi-junky.168852/
There are some cool glitch things that can be done with the Axe-FX, but glitch is a frequent topic of wish threads, especially effects that need buffers or tight gates or rhythmic division etc.
Are we talking about the sound of the tape changing speed over the head and/or the heading moving in relation to the tape? Or are we talking about mechanical sounds that the recorder/delay unit made? We can't emulate mechanical sounds, nor can I see any reason to want to do so, that's what samplers are for.The axefx can not do the tape stop sound, among other things. If I were actively doing more ambient stuff I would hit up our Poly dealer as he’s not too far away.
As someone who grew up during the '60s and '70s, I cannot figure out why anyone would want to add pops, scratches, etc. We drove ourselves crazy trying to get rid of all that surface noise - and now folks want to replicate that?
Next thing you know they'll be replicating the track fade-out / fade-in that had to be done with 8-track players.
I believe Leon did it in his beebo demo. Will dig around later!
I know most tape delays can do the gliding between speeds but glitch is indeed different.
Anyone want to link the hexe revolver demo?
Only if we choose that.Yup. Now things are maybe too pristine and predictable.
There is the Chase Bliss pedal for that wavy/woobbly static, and Catalinbread
has a pedal that replicates a skipping CD Walkman. For those who want their
songs to get hung up on an endless repeat, and getting their glitch on.
Now, instead of people playing to tracks, they will think you are playing along to a “record player”!As someone who grew up during the '60s and '70s, I cannot figure out why anyone would want to add pops, scratches, etc. We drove ourselves crazy trying to get rid of all that surface noise - and now folks want to replicate that?
Next thing you know they'll be replicating the track fade-out / fade-in that had to be done with 8-track players.
Intentional pops, scratches, and noise are kinda like artificially reliqued guitars. I cannot figure that outAs someone who grew up during the '60s and '70s, I cannot figure out why anyone would want to add pops, scratches, etc. We drove ourselves crazy trying to get rid of all that surface noise - and now folks want to replicate that?
Next thing you know they'll be replicating the track fade-out / fade-in that had to be done with 8-track players.
Different from the relic in that you can decide where and for how long you insert them into the signal lol.Intentional pops, scratches, and noise are kinda like artificially reliqued guitars. I cannot figure that out
Check out this preset from Simeon
https://forum.fractalaudio.com/threads/zvex-instant-lo-fi-junky.168852/
btw, that clip isn't mine and i don't think it uses my preset you linked to there.
Simeon's Lo-fi loop junky block with some added chaos...and some timeless chords.