Personally I'd just play a Cm7b5.
Personally I'd just play a Cm7b5.
I think I got that book the same day the band director gave me my "private" lesson! Still have it.Great point! Zep is easier.
Actually, great point about the lesson your band director gave you. So much depends on the other instruments (what they
are playing) along with what chords are both before and after the specific chord in question.
Sometimes I think guitar players are always playing in a power trio in their heads.
I remember grabbing this book because it was mentioned in a guitar magazine, and not knowing
what the f**k to make of it. I think I ordered it out of the back of one of those magazines.
yeah i was gonna say it’s more of a diminished something upon quick listen. i’d have to get the guitar out to see but it seems to have the function of a m7b5/half-dim.
in the movie recording, that chord is a F to Fmaj7, so i guess your chart is a step up. the next chord in the recording has a D major triad in it (i don’t have a guitar on me so i can’t get the actual chord i hear).
The bass goes B, E in that first part actually, I typed wrong.this is why i don’t trust charts
umm. interesting chart.
One thing, I've never seen a #9/b9 chord, but I have seen Maj9. F(#9/b9) is perhaps really an F#Maj9? I know the notes aren't all the same, thus the ?. but it gets the F, and the b9 & #9. I agree with Chris. The notations just don't seem..., uh, conventional...?
I've seen it called a half-diminished also.
Typically I'd pick either the b9 or the #9 and not try to play them both. #9 is basically a minor 3rd, so it could be a Fmb9, but when I see that sort of option the keyboardist is probably laying their entire forearm on the keyboard.
Well... The #9 is the equivalent note enharmonically as the b3... Since a major chord already has a natural 3 it can't also have a b3.
The actual chord there (transposed to your chart key, which is evidently a whole step lower) is Fm7. A lot of the chord symbols in that section are pretty far off from the original.
