I believe I read Yo-yo Ma used a Timmy.I think that was more a rock thing than in classical music. Itzhak Perlman was always more partial to fuzz pedals than a traditional overdrive.
I believe I read Yo-yo Ma used a Timmy.I think that was more a rock thing than in classical music. Itzhak Perlman was always more partial to fuzz pedals than a traditional overdrive.
I believe I read Yo-yo Ma used a Timmy.
So.. in order to achieve more gain. I need More Negative feedback?
Just wanted to say I really liked this preset! Switched the drive to a TS OD but besides that it's killer!Here's a 2204 preset for 80s thrash with a timmy boost and leon's LT TV mix 2 IR (you can get it on axe-change)
Not much tonal difference for a pumpkins tone since it's all in the big muff... basically try to set the muff where you have the distortion you want, use the amp gain knob to shape the overall tonality. Muff is very tonally dependent on the amp's gain knob.Sorry, joining the discussion as a total noob. Is there anyway to get the JCM800 in Axe Fx 3 to be more like the 100w (or is there almost no difference?) and have more headroom before distorting? I'm trying to recreate some muff pedal pumpkins tones and it seems they used low output channel on a 100W, could I replicate this with the 50W one in Axe Fx 3? I think putting the trim to .50 makes it low input but on a 50W I'd imagine thats different. Thanks for any help.
Sorry, joining the discussion as a total noob. Is there anyway to get the JCM800 in Axe Fx 3 to be more like the 100w (or is there almost no difference?) and have more headroom before distorting? I'm trying to recreate some muff pedal pumpkins tones and it seems they used low output channel on a 100W, could I replicate this with the 50W one in Axe Fx 3? I think putting the trim to .50 makes it low input but on a 50W I'd imagine thats different. Thanks for any help.