simeon
Axe-Master
ok, i'll play. just so there's a record of it on here...
Ability to switch each delay block to "low resolution" mode to double the available time
ADSR built into the pitch block to allow a tiny amount of dry signal through to disguise latency when downtuning / or add an effect type in the pitch block (DROPTUNE?) with only 1 voice and an additional parameter called attack (adsr idea)
The ability to modulate one synth waveform with another for FM synthesis sounds. perhaps a hard sync option as well.
Ability to switch delay direction - (possible in the reverse delay and the plex, but would be nice in all delay types).
The ability to switch between tempo subdivisions via a modifier
The ability to control looper functions via internal modifiers, so it can be used as an effect
The ability to trigger ADSR with CC (external modifier) or internal modifier, instead of only input threshold
Portamento in synth block - (Can be achieved by controlling frequency with pitch modifier, but it’s fiddly)
A new 8 band multidelay type with freely routable feedback network like the Yamaha UD Stomp
Add "hold" to ADSR
A new internal modifier called "lfo mix" which basically sums the outputs of the two lfo's, so that unique custom waveshapes can be obtained
A granular buffer delay (details on request)
Ability to set adsr times as tempo values
Looper - add replace functionality (as tempo subdivisions)
Separate damping values for up and down in modifier linking window (implemented?)
A stereo delay that runs forwards and then backwards automatically (see expert sleepers "meringe" plugin)
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sequencer
1 - run and it's associated on/off switch remain the same, but we add two three control parameters....
a) ”step" (with an associated trigger attachable to a modifier). two modes - "normal" - each step is triggered by the max value of the modifier and "double" - when the modifier crosses value 64, the sequencer moves to the next step. doing it like this means that of you use a momentary switch, you can step through the stages by pressing AND releasing the switch.
b) ”modifier". this would be great for using an external expression pedal to move through the sequencer stages. the sequencer interpolates the range of the external to the number of stages available. so for example, if you set two stages, then the first stage is 0-64 of the pedal travel and the second stage is 65-127 of the pedal travel. set 5 stages and each will be 20% of the pedal travel and so on. this would enable the user (using all 32 steps) to design a totally custom curve for their external pedal. i don't know if it would be at all useful to use internal modifiers for this. maybe externals only would be appropriate.
c) “once”. sequencer runs from first stage to last stage (defined by user) and then stops
2 - direction - forward + reverse. when attached to "run" or "step", the sequencer will travel from the first to the last stage and back again
3 - direction - random. when attached to "run" or "step", the sequencer will move randomly through all stages up to the max set by the user
4 - shape - triangle / square / ramp down / ramp up etc. each stage of the sequencer follows the shape set by the user. triangle, for example will move from min to the max value set and back to min for each stage
5 - shape - smooth. useful for when using an expression pedal. the sequencer interpolates the values in between each stage to create a smooth curve
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Bogner Alchemist (see Allen Hinds)
Ability to switch each delay block to "low resolution" mode to double the available time
ADSR built into the pitch block to allow a tiny amount of dry signal through to disguise latency when downtuning / or add an effect type in the pitch block (DROPTUNE?) with only 1 voice and an additional parameter called attack (adsr idea)
The ability to modulate one synth waveform with another for FM synthesis sounds. perhaps a hard sync option as well.
Ability to switch delay direction - (possible in the reverse delay and the plex, but would be nice in all delay types).
The ability to switch between tempo subdivisions via a modifier
The ability to control looper functions via internal modifiers, so it can be used as an effect
The ability to trigger ADSR with CC (external modifier) or internal modifier, instead of only input threshold
Portamento in synth block - (Can be achieved by controlling frequency with pitch modifier, but it’s fiddly)
A new 8 band multidelay type with freely routable feedback network like the Yamaha UD Stomp
Add "hold" to ADSR
A new internal modifier called "lfo mix" which basically sums the outputs of the two lfo's, so that unique custom waveshapes can be obtained
A granular buffer delay (details on request)
Ability to set adsr times as tempo values
Looper - add replace functionality (as tempo subdivisions)
Separate damping values for up and down in modifier linking window (implemented?)
A stereo delay that runs forwards and then backwards automatically (see expert sleepers "meringe" plugin)
---------------------------------------
sequencer
1 - run and it's associated on/off switch remain the same, but we add two three control parameters....
a) ”step" (with an associated trigger attachable to a modifier). two modes - "normal" - each step is triggered by the max value of the modifier and "double" - when the modifier crosses value 64, the sequencer moves to the next step. doing it like this means that of you use a momentary switch, you can step through the stages by pressing AND releasing the switch.
b) ”modifier". this would be great for using an external expression pedal to move through the sequencer stages. the sequencer interpolates the range of the external to the number of stages available. so for example, if you set two stages, then the first stage is 0-64 of the pedal travel and the second stage is 65-127 of the pedal travel. set 5 stages and each will be 20% of the pedal travel and so on. this would enable the user (using all 32 steps) to design a totally custom curve for their external pedal. i don't know if it would be at all useful to use internal modifiers for this. maybe externals only would be appropriate.
c) “once”. sequencer runs from first stage to last stage (defined by user) and then stops
2 - direction - forward + reverse. when attached to "run" or "step", the sequencer will travel from the first to the last stage and back again
3 - direction - random. when attached to "run" or "step", the sequencer will move randomly through all stages up to the max set by the user
4 - shape - triangle / square / ramp down / ramp up etc. each stage of the sequencer follows the shape set by the user. triangle, for example will move from min to the max value set and back to min for each stage
5 - shape - smooth. useful for when using an expression pedal. the sequencer interpolates the values in between each stage to create a smooth curve
-----------------------------------------
Bogner Alchemist (see Allen Hinds)