Axe-Fx III Firmware 19.00 Beta 3

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FractalAudio said:
It's not speed of sound that makes things sound different, it's absorption vs. frequency vs. humidity:
https://www.doctorproaudio.com/cont...ption-attenuation-with-humidity-and-frequency
Click to expand...

So if you're hearing something that sounds awful in an arid climate but is fine elsewhere, certain frequencies are likely being absorbed by the lack of humidity, which would have enhanced the air's ability to carry the intended frequency spectrum to our ears, creating an unwanted eq of sorts?
 
What's up with the sound of rumbling and swooshing spaceships (and space weapons) in TV shows and movies?

Either some good humidity out there or a few compact LIGO gravity-wave mics strategically placed in space for filming. Of course random binary black hole mergings can mess up the field recording with annoying chirps.
 
Piing said:
At Sweetwater they explain a practical example that doesn't require maths:

Why when we hear a thunder in the distance it is only a low rumble?

https://www.sweetwater.com/insync/effects-of-temperature-humidity-live-sound/
Click to expand...

A few years ago, at an outdoor show, a friend gave me a demo of the new Meyer bins that he had just received, they had temperature and humidity sensors which the system compensated for. He ran through the software/monitoring, etc. I was truly amazed at the tech...
 
yyz67 said:
What's up with the sound of rumbling and swooshing spaceships (and space weapons) in TV shows and movies?

Either some good humidity out there or a few compact LIGO gravity-wave mics strategically placed in space for filming. Of course random binary black hole mergings can mess up the field recording with annoying chirps.
Click to expand...

It's all attributable to Dark Matter...that wondrous 'ether' of space and time...
 
Stratoblaster said:
A few years ago, at an outdoor show, a friend gave me a demo of some new Meyer bins hat he just received, it had temperature and humidity sensors which they compensated for. He ran through the software/monitoring, etc. I was truly amazed at the tech...
Click to expand...
There's some crazy cool tech being used on big tours these days! One of our techs runs monitors for Luke Combs and he brought a drum tuning app to a recent live recording we did. It was crazy! We had a finicky floor tom that was ringing, and the app suggested specific tensions for the top and bottom heads to remove the ringing. Don't know what the app is called, but the drums sounded amazing!
 
Piing said:
At Sweetwater they explain a practical example that doesn't require maths:

Why when we hear a thunder in the distance it is only a low rumble?

https://www.sweetwater.com/insync/effects-of-temperature-humidity-live-sound/
Click to expand...

I can verify, from personal experience in November 2019, that when the thunder is not distant (i.e., if it hits within 15-20 feet), it has lots of mids and treble to go with that rumble - even through a wall - and there is ZERO perceivable delay between flash and bang....
 
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