Axe-Fx III 16.00 Beta 11 "Cygnus" Firmware - Public Beta #8

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the H in HBE means hairy right? does that imply the fuzzy top end?
The fuzz is in the low end, that’s what bothers me... And please, read carefully what I’ve said, Cygnus is a fantastic improvement, thanks a lot Cliff for all he does, the Friedman BE models which are always been my favorites, are even better in Cygnus firmware. I only talk about the HBE models, they have this kind of fuzzyness in the lows which is horrible, like if there is something wrong In the code.
 
As someone that doesn't have an encyclopedic technical knowledge of amps, I really wish aspects such as "modern preamp distortion amp" were compiled in the amp list wiki.
It's probably confusing because it doesn't clearly state the situation or how the amp is being used.

A "modern amp that uses the preamp to generate its distortion" is like most amps that have a master volume. To get distortion the player turns up the preamp gain until the preamp tubes distort, then they turn up the master volume to get the volume they want.

In a non-master-volume amp, the power amp runs at its maximum volume all the time. The preamp gain controls how much signal is sent to the power amp, and when the preamp tubes start to saturate (on the edge of distortion) the power amp tubes will begin saturating also. Hitting the guitar strings hard, or using a boost on the input will push the preamp and subsequently the power amp into distortion, but it's a sweeter, sustaining, sound that results in a very touch sensitive control over the amp's sound. Pick lightly and it'll ring and chime and be clean. Hit harder and it starts to break up. Hit it really hard and it distorts.

That's how early Fenders, then early Marshalls behaved and Voxes, but they were all LOUD. And people didn't like loud, so master volumes were added.

The alternative was using some sort of power-scaling or an attenuator, so the power amp still would break up, but the overall volume was reduced. Good attenuators and power-scaling increase the cost and the weight, so you don't see it in a lot of amps. Plus, poorly implemented attenuators can cause an amp to fail at the worst times.

I cut my teeth on early Clapton (the "Beano" album) and the Allman Brothers, both of which used JTM-45 Marshalls, which had no master volumes. They'd run them really loud and control the sound from their fingers and guitars, from clean to mean. Rory Gallagher did something similar with his AC30 and a treble booster and got an amazing tone.

I love using a Tone King Imperial, which has no master volume but does have a built-in attenuator. I leave it on the lead channel, gain on 10, tone and mid-bite at noon, and control it from the guitar. It's a blast and totally old school. When I have it at jams my friends love using that amp because it sings and sustains and goes into feedback or cleans up just by rolling back.
 
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@Ben.Last and anyone interested,

I think people naturally crank the master volume and end up unhappy with the low end or with boxy sounds. Use the headroom meter!
There's 286 amp models but there's also 57 very excellent drive pedals that don't do as much when most of the amps are maxed. Most tone controls have little to no function at that point as well.
Imagine not using a Rat as a boost with a JCM800 in the sweet spot, just before it goes to mush.
So come on, jump in the fyaahhhh!

Yek's guides are a lifesaver:
https://wiki.fractalaudio.com/wiki/index.php?title=Yeks_Guide_to_the_Fractal_Audio_Amp_Models
https://wiki.fractalaudio.com/wiki/index.php?title=Yeks_Guide_to_the_Fractal_Audio_Drive_Models
 
Hi everyone! While I really love Cygnus, I have to say that something is missing now: Friedman BE C45. It really was my go-to amp!!! Now you can only choose between « versions » and a « Fat » switch. C45 switch is only available on the Hbe mode... but why?
 
Thanks for the reply!
Yeah, I kind of wondered if that might inhibit my learning. I'm new to the Ax FX but not new to "upgrading", other gear/Daw software etc. I usually stay away from new updates as there might be some hiccups. Does the Fractal stuff have many hiccups with new updates?
I got my first Fractal (Axe Fx III) just as a new treat was first being teased by The Man and have spent the last couple of months learning the ropes on FW15 (which still kicks butt even though it's soon to be officially superseded). Even whilst holding off until the official Cygnus release I've still had plenty of my own epiphanies learning the Fractal, it's so much fun. One lesson learnt with the advanced parameters is a little can go a long way to achieving the overall sonic goal. I haven't committed much to the way of permanent presets but I shall be ready to do so when Cygnus officially arrives. In fact, after making a couple of basic test presets I haven't been saving any tweaks I make each session, I go back and reproduce what I like each time which has really sped up my learning curve, splitting time between editing on the hardware and in the software.
Basically, whatever you chose, it's not gonna dent your fun and as soon as you plug in and start scrolling through the factory presets you will immediately forget about that chunk of fiat currency missing from your bank account! :)

P.S. clip 4
 
Ok, I've took a quick look at the HBE-100 models in the same firmwares (15.01, 16 Beta 4 and 16 Beta 11) as I took a look at the BE Models. This morning I dialed up the stock HBE-100 V1, then I increased the gain to around 7 and 8, which is not uncommon for this amp to be set at say 8 for BE then kick in the HBE for solos, which means due to sharing a gain control on the real amp the gain setting would stay the same, 7-8 in this case. To me, this just can't be right? It almost sounds like you have a fuzz pedal blended in say 30%.

This to me seems to indicate the previous HBE models were either very innacurate, which I don't believe they were from my experience with them and my amp, or there is possibly a mistake here.

A quick look at Input EQ low cut on previous models and previous firmwares, again this may be totally irrelevant due to the differing algorithms and not knowing how they relate to the changes behind the model in the SPICE or whatever we don't see or understand.

15.01

BE Marsha = 500Hz
HBE Marsha = 500Hz

BE Mark Day = 500Hz
HBE Mark Day = 350Hz

No BE model
HBE 2018 = 540Hz

16 Beta 4

BE = 445Hz
HBE = 48Hz

16 Beta 11

BE = 303Hz
HBE = 57Hz

Now anyone who is having serious issues with how they hear the HBE in Cygnus try these older low cut values, particularly if you really enjoyed HBE 2018 from 15.01 so try 540Hz. That to me sounds much more like how you will have heard the Ares model sounding.

So this leaves the question considering a wildly different low cut on these models from firmware to firmware is this just to do with how it relates to the new Cygnus modelling in the background or is there also a mistake somewhere as I'm pretty such the HBE should not sound like a Fuzz/slight square wave mixed in even at stock setings with the gain at 8/10, esecially an amp noted for it's quite tight bottom end, as mentioned and quoted here and in the wiki regarding Carol-Ann amps:

"I think what people like about this amp is the same reason people like the BE/HBE. These amps share the same aggressive low-cut on the input and then add bass back in the power amp. This gives clear bass response without getting flubby."

Obviously this isn't what we are hearing here anymore. Also worth noting could the low cut at 48/57 be mising a zero on the end? We do know other tight modded Marshall type models, take the Atomica High for instance have no low cut applied to the model and sounds perfectly tight, so who knows?

The grid bias etc has been mentioned an steps to "combat" this have been mentioned, so here is the quote for anyone else who may have missed this earlier in other beta threads:

"That's the way the HBE channel sounds. The problem with the design is that the drive control is located between the 3rd and 4th gain stages. Too far back IMO. This causes a lot of distortion and also a lot of bias excursion before the drive control with no way to control it. In most amps the drive control is located after the first stage (input buffer). Some amps have a second drive control, typically called an Overdrive, located further downstream which allows you to balance the pre- and post distortion. One way to deal with it is to decrease the Input Trim and increase the Input Drive. You can also try reducing the Master Bias Excursion but that won't get rid of the pre-drive control distortion. A lot of people like this sound though. It has a certain stringy quality that many people find desirable." source

Anyway I'll leave this here. I hope to anyone reading this isn't coming across as me with a dickish attitude? This is a beta phase and this is what beta testing is for, trying to weed out any potential bugs.

If the main man chimes in, has a check or whatever lets us know the score and verifies that everything is as is, I guess anyone who still isn't happy we can just choose another amp model, hell knows there are more than enough for that modded Marshall tone, try some teaks as many have mentioned, or worst case if the old BE sound we had is so important to the player, then make the choice to stick with 15.01.
 
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Ok, I've took a quick look at the HBE-100 models in the same firmwares (15.01, 16 Beta 4 and 16 Beta 11) as I took a look at the BE Models. This morning I dialed up the stock HBE-100 V1, then I increased the gain to around 7 and 8, which is not uncommon for this amp to be set at say 8 for BE then kick in the HBE for solos, which means due to sharing a gain control on the real amp the gain setting would stay the same, 7-8 in this case. To me, this just can't be right? It almost sounds like you have a fuzz pedal blended in say 30%.

This to me seems to indicate the previous HBE models were either very innacurate, which I don't believe they were from my experience with them and my amp, or there is possibly a mistake here.

A quick look at Input EQ low cut on previous models and previous firmwares, again this may be totally irrelevant due to the differing algorithms and not knowing how they relate to the changes behind the model in the SPICE or whatever we don't see or understand.

15.01

BE Marsha = 500Hz
HBE Marsha = 500Hz

BE Mark Day = 500Hz
HBE Mark Day = 350Hz

No BE model
HBE 2018 = 540Hz

16 Beta 4

BE = 445Hz
HBE = 48Hz

16 Beta 11

BE = 303Hz
HBE = 57Hz

Now anyone who is having serious issues with how they hear the HBE in Cygnus try these older low cut values, particularly if you really enjoyed HBE 2018 from 15.01 so try 540Hz. That to me sounds much more like how you will have heard the Ares model sounding.

So this leaves the question considering a wildly different low cut on these models from firmware to firmware is this just to do with how it relates to the new Cygnus modelling in the background or is there also a mistake somewhere as I'm pretty such the HBE should not sound like a Fuzz/slight square wave mixed in even at stock setings with the gain at 8/10, esecially an amp noted for it's quite tight bottom end, as mentioned and quoted here and in the wiki regarding Carol-Ann amps:

"I think what people like about this amp is the same reason people like the BE/HBE. These amps share the same aggressive low-cut on the input and then add bass back in the power amp. This gives clear bass response without getting flubby."

Obviously this isn't what we are hearing here anymore. Also worth noting could the low cut at 48/57 be mising a zero on the end? We do know other tight modded Marshall type models, take the Atomica High for instance have no low cut applied to the model and sounds perfectly tight, so who knows?

The grid bias etc has been mentioned an steps to "combat" this have been mentioned, so here is the quote for anyone else who may have missed this earlier in other beta threads:

"That's the way the HBE channel sounds. The problem with the design is that the drive control is located between the 3rd and 4th gain stages. Too far back IMO. This causes a lot of distortion and also a lot of bias excursion before the drive control with no way to control it. In most amps the drive control is located after the first stage (input buffer). Some amps have a second drive control, typically called an Overdrive, located further downstream which allows you to balance the pre- and post distortion. One way to deal with it is to decrease the Input Trim and increase the Input Drive. You can also try reducing the Master Bias Excursion but that won't get rid of the pre-drive control distortion. A lot of people like this sound though. It has a certain stringy quality that many people find desirable." source

Anyway I'll leave this here. I hope to anyone reading this isn't coming across as me with a dickish attitude? This is a beta phase and this is what beta testing is for, trying to weed out any potential bugs.

If the main man chimes in, has a check or whatever lets us know the score and verifies that everything is as is, I guess anyone who still isn't happy we can just choose another amp model, hell knows there are more than enough for that modded Marshall tone, try some teaks as many have mentioned, or worst case if the old BE sound we had is so important to the player, then make the choice to srick with 15.01.
Lots of great info here
as York Audio mentioned as well
reducing the depth lowering the depth frequency is another tip
your comment about missing a 0 is intresting though as adding that would put it right back close to original values , but as you said I trust Cliff if it is that way ,there are more than enough tips in this thread
to get back to the 15.01 HBE
 
Ok, I've took a quick look at the HBE-100 models in the same firmwares (15.01, 16 Beta 4 and 16 Beta 11) as I took a look at the BE Models. This morning I dialed up the stock HBE-100 V1, then I increased the gain to around 7 and 8, which is not uncommon for this amp to be set at say 8 for BE then kick in the HBE for solos, which means due to sharing a gain control on the real amp the gain setting would stay the same, 7-8 in this case. To me, this just can't be right? It almost sounds like you have a fuzz pedal blended in say 30%.

This to me seems to indicate the previous HBE models were either very innacurate, which I don't believe they were from my experience with them and my amp, or there is possibly a mistake here.

A quick look at Input EQ low cut on previous models and previous firmwares, again this may be totally irrelevant due to the differing algorithms and not knowing how they relate to the changes behind the model in the SPICE or whatever we don't see or understand.

15.01

BE Marsha = 500Hz
HBE Marsha = 500Hz

BE Mark Day = 500Hz
HBE Mark Day = 350Hz

No BE model
HBE 2018 = 540Hz

16 Beta 4

BE = 445Hz
HBE = 48Hz

16 Beta 11

BE = 303Hz
HBE = 57Hz

Now anyone who is having serious issues with how they hear the HBE in Cygnus try these older low cut values, particularly if you really enjoyed HBE 2018 from 15.01 so try 540Hz. That to me sounds much more like how you will have heard the Ares model sounding.

So this leaves the question considering a wildly different low cut on these models from firmware to firmware is this just to do with how it relates to the new Cygnus modelling in the background or is there also a mistake somewhere as I'm pretty such the HBE should not sound like a Fuzz/slight square wave mixed in even at stock setings with the gain at 8/10, esecially an amp noted for it's quite tight bottom end, as mentioned and quoted here and in the wiki regarding Carol-Ann amps:

"I think what people like about this amp is the same reason people like the BE/HBE. These amps share the same aggressive low-cut on the input and then add bass back in the power amp. This gives clear bass response without getting flubby."

Obviously this isn't what we are hearing here anymore. Also worth noting could the low cut at 48/57 be mising a zero on the end? We do know other tight modded Marshall type models, take the Atomica High for instance have no low cut applied to the model and sounds perfectly tight, so who knows?

The grid bias etc has been mentioned an steps to "combat" this have been mentioned, so here is the quote for anyone else who may have missed this earlier in other beta threads:

"That's the way the HBE channel sounds. The problem with the design is that the drive control is located between the 3rd and 4th gain stages. Too far back IMO. This causes a lot of distortion and also a lot of bias excursion before the drive control with no way to control it. In most amps the drive control is located after the first stage (input buffer). Some amps have a second drive control, typically called an Overdrive, located further downstream which allows you to balance the pre- and post distortion. One way to deal with it is to decrease the Input Trim and increase the Input Drive. You can also try reducing the Master Bias Excursion but that won't get rid of the pre-drive control distortion. A lot of people like this sound though. It has a certain stringy quality that many people find desirable." source

Anyway I'll leave this here. I hope to anyone reading this isn't coming across as me with a dickish attitude? This is a beta phase and this is what beta testing is for, trying to weed out any potential bugs.

If the main man chimes in, has a check or whatever lets us know the score and verifies that everything is as is, I guess anyone who still isn't happy we can just choose another amp model, hell knows there are more than enough for that modded Marshall tone, try some teaks as many have mentioned, or worst case if the old BE sound we had is so important to the player, then make the choice to srick with 15.01.
Really good info here... As you, I think there could be something wrong in the low cut frequency, but if not, setting it as in 15.01 gives to me a good sound in the HBEv2 model.
 
Lots of great info here
as York Audio mentioned as well
reducing the depth lowering the depth frequency is another tip
your comment about missing a 0 is intresting though as adding that would put it right back close to original values , but as you said I trust Cliff if it is that way ,there are more than enough tips in this thread
to get back to the 15.01 HBE
it’s a mistake in hbe models IMHO.

I have at home JJ 100, be 100 and compared preamps with cygnus hbe models and found that the hbe in cygnus is way off. my ax8 hbe model with fw 10.01 sounds a lot closer to the real deal compared to cygnus.
 
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