Changed mix law for Delay block. The dry signal now stays constant at unity until Mix reaches 50% then decreases linearly to zero. Conversely the wet signal starts at zero and then increases linearly to unity when Mix reaches 50%. This eliminates having to compensate for decreased dry signal when increasing the mix.
Noise Gate now supports Global Block functionality. This can be used, for example, as a global Noise Gate for all presets or for only high-gain presets, etc. As with all Global Blocks, double-click FX BYP to enter the Global Block menu.
Changed mix law for Delay block. The dry signal now stays constant at unity until Mix reaches 50% then decreases linearly to zero. Conversely the wet signal starts at zero and then increases linearly to unity when Mix reaches 50%. This eliminates having to compensate for decreased dry signal when increasing the mix.
Maybe others can corroborate but my main hi-gain patch template sounds "smoother" now. I didn't think there was any further changes to the amp modelling between 11b and 11gen? Maybe it's my ears playing tricks but I'm definitely liking the extra "something" in the 11 general release tone (in addition to the other goodies).
im at work and can't download now, but for those who have, what are the 'easter egg' models?
After playing a couple of minutes it seems the Axe handles open chords on high gain settings better than I can remember; in particular the presence seems better defined and does not as easily gets overbearing. Yeah, early observation which could just as well be Happy-new-firmware-day syndrome.
Only the mix ratios have changed, not the placement.The changed mix law for Delay block - does that mean now that it's paralell or ist stil in series?