What you are hearing is what many of those old plexis (especially the ones with brite caps Brite models) sound like. The lower the volume, the brigher, as you turn up the gain on them they get darker as the power amp kicks in and it cuts that bright harsh edge -- which is why people crank up Plexis. The badger sounds best with mids cranked. I agree, I don't want every amp to sound like the other, and honestly a lot of real world amps are just a variation of a Marshall flavor.Shout out to @austinbuddy for these. I'm finding lots of presets I can use in there, and I appreciate the consistent scene approach across all the presets. Makes it very digestible! Money well spent, so if you're hesitant to pull the trigger, don't.
- I got these partly because I want to gauge how I am doing on my own presets in terms of overall tonal balance. I have to say I'm a little disappointed in that regard. If I use one of the plexi presets, they tend to be bright, shrill, brutal. Much brighter than I'd tune anything. Then I go to the Badger 30 preset, and it seems to have no high end at all. All of which brings me to this: I know we shouldn't try to make every single amp sound like every other...that would be defeating the purpose. But I'm curious about, as I said, that overall tonal balance and how best to strike it. Too much bass and everything gets muddy and you're stepping on the bassist. Too bright and you're stepping on pretty much everything. I'd be interested in hearing how the pros approach that, and how (as in this case) the amp presets end up sounding so very different in that respect.
FRFRs do differ, and these preset -- in trying to emulate what I live amp in a room sounds like -- had a bit more bass than others I've done (which is why I included the Lo Cut/Bass Cut foot switch. Basically except for a few Fenders and maybe a metal amp, you really can cut everything below 100Hz to $150Hz and in a live context with a bass player you'll never miss it. Mainly you need MIDS to stick out in a mix with all the other instruments. For metal players who like to scoop their mids with smile curves etc., that makes it extra hard to dial in.