I'll weigh in here too. Been at a few shoot-outs to set what's out there in past years, and always came back to the Atomic CLRs. I now have three Atomic NEO CLRs.
I literally use two of them as my studio monitoring pair, mounted on speaker stands, and for programming stereo patches or recording.
Have a third one I use on the floor abut 12 feet away, not as a wedge, but like a amp speaker cab, and use that for programming mono live patches for stage use at studio volume. I'm extremely happy with them.
Have found heir customer support to be outstanding. I had a rattle appear in one speaker, and could not isolate it, and Tom called back quick -- we figured it out together and a few screw driver twists and all was good. Never had a power failure on CLRs.
They are not cheap compared to others in the market, but, as in life, you get what you pay for.
The other FRFRs I've heard or done A/Bs with (prior to 2016 to be fair) always had a frequency area hyped that, compared to the CLRs flatness, made it easy to choose the CLRs. Now, if you like that added frequency emphasis, that's okay, but if you do A/B compare to other types you might find you don't like it as much. I think some folks design those other types to be more like guitar speaker cabs, but you really do want a close to 20h-20kFRFR as flat as possible to get the most out of your Fractal gear IMHO. I also think it costs more to get to true/close to FRFR level, and in pricing a for guitarist market there is understandably some compromise to make such things more affordable.
I'd get another one in a heartbeat. There are reportedly even better FRFRs in the market, but you'll spend thousands and thousands for them each, and they are more PA gear oriented.
Last, I also got Studio Slips to make coverings for my CLRs with pockets that work great. I literally can walk into a gig with my guitar on my back, my AX8 and exp pedal slung over a shoulder, and a CLR in one hand and it's not breaking my back!
Cheers.