maxdown
Fractal Fanatic
Was just thinking after I'd been using these speakers in a couple of closed back 1x12 cabs in my conventional rig that they have a bit of additional high end over the average guitar 12 inch speaker and might be worth a try.
I sometimes need loud backline due to the venue's house PA crapness and have been having some squealing probs with tweeter equipped FRFR cabs. My presets are not overly gainy or top end heavy and have been dialled in at volume. A lot of the time it's down to stage size and being jammed in corner or low ceiling box (there's 6 of us - and the drum kit is a double kick one just to compound the issue).
Rather than re-structuring my presets to have the Cab block at the end of the grid and an FXL loop before it for the stage monitor feed - I'm wondering what an EVM12-L would make of a full FRFR signal?
I guess with the AxeFX I/O Output 1 echoed to Output 2 there's scope to independently eq the output 2 using the output 2 global eq to counter any obvious frequency spikes in the speakers.
I usually always get to send a FOH feed wherever we play - but in smaller venues the vocals tend to get priority - however even if the stage cabs are a little worse off for the highs than full range cabs there could be a little top end still present in the FOH mains to balance it out a bit.
Anyone EVM users tried this in a loud backline scenario?
I sometimes need loud backline due to the venue's house PA crapness and have been having some squealing probs with tweeter equipped FRFR cabs. My presets are not overly gainy or top end heavy and have been dialled in at volume. A lot of the time it's down to stage size and being jammed in corner or low ceiling box (there's 6 of us - and the drum kit is a double kick one just to compound the issue).
Rather than re-structuring my presets to have the Cab block at the end of the grid and an FXL loop before it for the stage monitor feed - I'm wondering what an EVM12-L would make of a full FRFR signal?
I guess with the AxeFX I/O Output 1 echoed to Output 2 there's scope to independently eq the output 2 using the output 2 global eq to counter any obvious frequency spikes in the speakers.
I usually always get to send a FOH feed wherever we play - but in smaller venues the vocals tend to get priority - however even if the stage cabs are a little worse off for the highs than full range cabs there could be a little top end still present in the FOH mains to balance it out a bit.
Anyone EVM users tried this in a loud backline scenario?