kmanick
Fractal Fanatic
this little baby that I've been waiting almost a year forFryette lx ? What's that????!!!!!!!
Fryette Modeling Workshop Volume I: Fryette LXII and Fractal Audio Axe-FX II - YouTube
this little baby that I've been waiting almost a year forFryette lx ? What's that????!!!!!!!
True, but if you're playing small venues or jamming with your friends, 20 watts is plenty. That Rebel is loud! Besides, I like the early breakup of the power section. But that's me, as they say YMMV.Theres the other issue though - all the light weight amps are 20 watters. IMO thats not enough to give the headroom you need before it starts to compress/clip. Using traditional valve pres thats not an issue because you want it to happen - with modellers you dont want it at all really.
The Fryette at 40w will work - but other wise its 20, 50, 90 or 100 watts for valve power amps. 20 are too small, 90/100 are overkill and VERY heavy for most. 50w are really what you need, but there just too damn heavy for me.
this little baby that I've been waiting almost a year for
Fryette Modeling Workshop Volume I: Fryette LXII and Fractal Audio Axe-FX II - YouTube
I have an Engl E840 and play it through a Hughes & Kettner Statesman 4x12 loaded with Celestion V30's. I keep the power amp sims off. I think the sound is more 'open' when you set up your Axe-fx like that.
I tried the Matrix GT800FX for a little while, but no matter how much I tweaked my Axe-fx Ultra, connecting the Engl always brought a big smile on my face so I sold the Matrix. But I do regret the fact that I never tried the Matrix in combinatio with a FRFR speaker. I only tried it with my 4x12. Maybe the Matrix would have sounded better with a FRFR solution.
Even with the PA sims off, the Axe is still much more versatile than going with any other preamp. You still have the modeled preamp section of each model and the various tone stacks to choose from. Then the stellar FX which you won't have in another preamp. Having all the options of speakers and mic placement with IR's is great but playing through a real cab with my favorite speakers (Greenbacks or V30's) is more gratifying.If you run a rig with PA sims off and a real cab, you may as well run any pre-amp out there - why go to the expense of an AFX. The magic of the AFX is in the PA sims and cab irs so turning both off ?????
I can't agree with that. Your choice of preamp is a big factor in your tone. And together with the cab, it's the dominant source of your amp's voicing.My caveat with any amp - tube or SS - is that it MUST work with the Power amp sims ON, I just dont see the point any other way. If you run a rig with PA sims off and a real cab, you may as well run any pre-amp out there - why go to the expense of an AFX. The magic of the AFX is in the PA sims and cab irs so turning both off ?????
Even with the PA sims off, the Axe is still much more versatile than going with any other preamp. You still have the modeled preamp section of each model and the various tone stacks to choose from. Then the stellar FX which you won't have in another preamp. Having all the options of speakers and mic placement with IR's is great but playing through a real cab with my favorite speakers (Greenbacks or V30's) is more gratifying.
Don't get me wrong Paul, I like being able to use the PA sims and IR's in the Axe too, but only when I'm recording or just playing at home at low volumes through my monitors.