Rivertownrocker
Member
Hi All,
Still trying to get the best out of the axe fx 2.
I'm worried I made the wrong investment in the QSC k12 for a stage monitor. I'm just using EQ, Amp, Cab and Reverb block to keep things simple. I play classic and alternative rock on a Strat.
I'm seeing postings that the k12 is not really FRFR and my buddy is getting such a great live sound with an hd500 and 2 matrix q12a's on stage. The fact the q12a's are always sold out in minutes has me thinking they are the end all complement to any and all modeler?
Does any one still use QSC k's and have a preset showing the right EQ cuts and where to place them in the signal path? I am currently using k12 on floor with the high cut switch on.
I have just been using a parametric EQ in front of amp block blocking the high at 8000hrz and lows at 95 on the 1+5 bands but I don't really know what I'm doing.
Any advise much appreciated.
Thanks
Still trying to get the best out of the axe fx 2.
I'm worried I made the wrong investment in the QSC k12 for a stage monitor. I'm just using EQ, Amp, Cab and Reverb block to keep things simple. I play classic and alternative rock on a Strat.
I'm seeing postings that the k12 is not really FRFR and my buddy is getting such a great live sound with an hd500 and 2 matrix q12a's on stage. The fact the q12a's are always sold out in minutes has me thinking they are the end all complement to any and all modeler?
Does any one still use QSC k's and have a preset showing the right EQ cuts and where to place them in the signal path? I am currently using k12 on floor with the high cut switch on.
I have just been using a parametric EQ in front of amp block blocking the high at 8000hrz and lows at 95 on the 1+5 bands but I don't really know what I'm doing.
Any advise much appreciated.
Thanks