How so? That hard to get running?MC8 is a great doorstop. Let me know if you ever get it working.
Did not know about the learn function. I will look into that. Thanks!Same as with FM3 and Axe 3. If you have the midi out of the MC8 and in on the FM9 and the blocks mapped.
What specifically isn't working for you? When you are on the FM9 did you use learn to make sure your signal/message was coming through?
Currently this is only available with scenes and presets. The other blocks have to be matched up by saving in the state you want to start. Still very usable but keep it in mind.I might try to find a way to get two way communication going, as the state of the Morningstar might not always reflect the state of the FM3/9.
So having say a button on the MC8 for Multi Delay on or off would require me to program the state to on or off on the MC8? I thought it would just toggle whatever the saved state is on the FM9?Currently this is only available with scenes and presets. The other blocks have to be matched up by saving in the state you want to start. Still very usable but keep it in mind.
I think he was saying that if something besides your midi controller toggles the Multi Delay on or off, then the change won't be reflected on your MC-8. You MC-8 should have no problem setting up a toggle for the Multi Delay though.So having say a button on the MC8 for Multi Delay on or off would require me to program the state to on or off on the MC8? I thought it would just toggle whatever the saved state is on the FM9?
You can only program the on/off on the MC8. If it was saved as ON in the FM9 when you first push the MC8 it will want to turn it on....it's already on, so you would have an additional step on the MC8 to turn it off, but then back to normal.So having say a button on the MC8 for Multi Delay on or off would require me to program the state to on or off on the MC8? I thought it would just toggle whatever the saved state is on the FM9?
This is where using a separate MIDI controller collides with a device that is designed to control the system. Fractal designs the current generation of devices to act like a computer with multiple terminals attached. The modeler knows its state and sends information to the displays and the FC act like keyboards returning commands to the modeler.I think he was saying that if something besides your midi controller toggles the Multi Delay on or off, then the change won't be reflected on your MC-8. You MC-8 should have no problem setting up a toggle for the Multi Delay though.
For my application, since I am only sending midi from the MC-6 to the FM-3, and not sending anything from the FM-3 to the MC-6, if I change presets on the FM-3, the scene indicated as active on the Morningstar might not be the active scene until I actually select it on the Morningstar.
Agreed, I think an FC6 would be the ideal solution if I were to start from scratch with the products available right now. I have been on the FM9 wait list, and plan to grab one of those once I get the invite. For me that would be the ideal solution as the FC6 would be "built in". I had the Morningstar from my old setup, so I am just keeping it around since I already have it. I would not recommend it for someone starting from scratch if anyone is wanting my $0.02.This is where using a separate MIDI controller collides with a device that is designed to control the system. Fractal designs the current generation of devices to act like a computer with multiple terminals attached. The modeler knows its state and sends information to the displays and the FC act like keyboards returning commands to the modeler.
And that same scenario was the breaking point for me when dealing with a Helix Stomp and a MC6. The Stomp thought it was in controI and I wanted the MCY to be its peer. I had to program everything because it was several years ago and Morningstar hadn’t added any capability to query the modelers for their preset info, which reduces some of the pain. And it was the final straw that began my move to Fractal and using the FC6 and FC12.
Yes, the FC controllers are more expensive, but they, and the modelers’ interaction with them, and the Layout Manager in the editors, really lessen the frustration and workload. I’ve adjusted my FM3+FC6, FM9, and FX3+FC12, to use the same behaviors in their layouts, with layout-links and per-preset overrides kicking in when they need to. Not having the frustration lets me focus on other things. That’s my $0.02.
Exactly.You can only program the on/off on the MC8. If it was saved as ON in the FM9 when you first push the MC8 it will want to turn it on....it's already on, so you would have an additional step on the MC8 to turn it off, but then back to normal.
I was just experimenting with that combination and it’s very flexible and useful. I have a layout that’s like an extension of the OFM9G layout that incorporates it when you get the FM9 and FC6 if you want to try it.Agreed, I think an FC6 would be the ideal solution if I were to start from scratch with the products available right now. I have been on the FM9 wait list, and plan to grab one of those once I get the invite. For me that would be the ideal solution as the FC6 would be "built in". I had the Morningstar from my old setup, so I am just keeping it around since I already have it. I would not recommend it for someone starting from scratch if anyone is wanting my $0.02.
So what you are saying is that as you learned how to use your FM9 and its capabilities you found that what you thought were limitations weren’t really, that the channels-only mindset was only one way of getting there....but keep in mind that the MC8 and some other midi controller give you some options the FC's do not. If you are a channel person (which I was - until Mark Day helped me with scenes AND control switches to act like a pedal board) you can only change the amp channel and cabinet channel together using midi.
The MC continues to develop and does 2 way communication on scenes and presets with the Axe so maybe things will keep moving. The MC is mid $200's used so it's a good amount less than the FC-6 and $300 ish less than the FC-12. I've used an HD500x and M-9 when we didn't have the FC's yet so people will make due with what they have or need to. I have an XLR cable to 9V so I can also power mine with the XLR/Faslink connection. Having said all this, I don't find that I need it for my FM9, but would have used it to change the channels of the Amp/Cab if I didn't get the scenes global thing working.
No. I'm saying that whether FM9 or Axe 3 the answer was always you can't do that in scenes so I stayed with channels where it worked as I needed. I recently asked again and it was able to be accomplished using Scenes.So what you are saying is that as you learned how to use your FM9 and its capabilities you found that what you thought were limitations weren’t really, that the channels-only mindset was only one way of getting there.
Yes. I was part of that long ago as I could do that on my Voes before the FC's came out.A wish already exists to be able to tie amp/cab combinations together so the cab change always follows the amp.
But that's why the OP posted what he did. Not our opinion of which is better or worse, but help with the MC8 to FM9 connections and setup. That is what the thread is about.....Yes, the MC is less expensive, and MIDI has its strengths, especially when controlling multiple disparate devices, but the difference in prices comes at the cost of needing to do more work. If Fractal implements more MIDI capability in partnership with Morningstar and Mastermind then they might equal what the FC can do. (I’d move to Mastermind’s units if I had to use MIDI, but that’s my own personal poison.)
Yes, the FC controllers are more expensive, but they, and the modelers’ interaction with them, and the Layout Manager in the editors, really lessen the frustration and workload. I’ve adjusted my FM3+FC6, FM9, and FX3+FC12, to use the same behaviors in their layouts, with layout-links and per-preset overrides kicking in when they need to. Not having the frustration lets me focus on other things. That’s my $0.02.