Feeding two inputs into the AxeFx II to drive two internal stacks. On the fretless neck I have a freeze-reverb/delay pedal and then... well, this is what happened
Multidimensional free flowing fretless harp guitar in spaces. The wonderful Tim Donahue Signature axe is a very alive instrument, thanks to massive sympathetic vibrations all through the body and twelve strings. In this piece I was particularly amazed by how good it sounds with a distorted amp stack on the fretless neck and a wide stereo chorus on the harp strings, by the end of the track. Even though the harp chords leak through the distortion channel a bit it stills sounds good, because that "filth" kind of talks to whatever I'm playing on the fretless neck. So it might be an ugly sound when just strumming a chord but when performing music it just works. Sweet music with ugly sounds - that's something I always like.