True, but that's a specific pre-defined value and not "where it currently is based on the expression pedal".You can set-and-forget a setting with your expression pedal by changing the channel of the block.
In the Edit Modifier window, we can currently set it so that the controller acts on 'All' or specific channels only. Maybe add extra options on that list where you can choose the uncontrolled state? 'Revert to saved value' or 'Revert to last value'. If it were possible of course...I was just about to post a similar question. This would be amazing if it could be implemented.
You can set-and-forget a setting with your expression pedal by changing the channel of the block.
True, but that's a specific pre-defined value and not "where it currently is based on the expression pedal".
In this specific example, that is already possible.Suppose I had a volume block and a wah block and only one expression pedal. I have the volume block at 75%. I have it after the amp and it allows me to give some more volume when the band gets going. If I then swap the function of the pedal to control the wah, then the volume block is bypassed and the volume jumps to 100% which is not necessarily desirable. If there was some way for the volume block to stay at 75% when I repurposed the expression pedal to control the wah, that would be awesome.
Well, kinda.Nope, I meant this:
1. assign the pedal to a parameter in a block, and in the modifier menu select a specific channel (not: all channels)
2. operate the pedal
3. now use a switch, scene or whatever, to switch the block to another channel and use the pedal for something else
4. now switch back to the original channel of the block. At this point the parameter value should still be the same as before.
I think that's what Greg is asking for.
In this specific example, that is already possible.
- Add another Volume block that is set to 75%. When you swap to the Wah, bypass Volume block 1 and activate Volume block 2.
- Or.. Instead of bypassing the Volume block, have it switch to channel 'B' where it is set to 75%. Set the controller to only work on Channel 'A'.
Yeah, you're seeing what I was asking about. The Expressionator is an interesting idea and opens up the use of a controller to do a lot of things we can't do right now.Thanks, that's interesting, but 75% was just an arbitrary number; what I really mean is that when I switch the function of the expression pedal to wah, the unit retains whatever value the volume block was set to.
Okay, just going by what you wrote..Thanks, that's interesting, but 75% was just an arbitrary number; what I really mean is that when I switch the function of the expression pedal to wah, the unit retains whatever value the volume block was set to.
Very interesting question Moke look forward to seeing the answer hereI'm trying to wrap my head around the FM9 processor allocation.
I think that I read that the Reverb and Delay blocks are dedicated to one of the processors? IF so, does that include all of the Delay type blocks? 'Multitap-Delay', 'Megatap Delay', Ten-tap Delay; 'Plex-Delay'?
If it only includes the 2 Reverb and 2 Delay blocks, that will potentially leave a lot of unused CPU power on the table for many presets.
For example... If an FM3 preset had no 'Reverb' or 'Delay' block and was close to the CPU limit, would it still be close the the CPU limit of the FM9.
I've been getting emails from clients/customers asking for advice on what advantages are possible if upgrading from the FM3 to the FM9.
FollowingVery interesting question Moke look forward to seeing the answer here
Works like a charm, as long as you don't bump the pedal after you switch back.Nope, I meant this:
1. assign the pedal to a parameter in a block, and in the modifier menu select a specific channel (not: all channels)
2. operate the pedal
3. now use a switch, scene or whatever, to switch the block to another channel and use the pedal for something else
4. now switch back to the original channel of the block. At this point the parameter value should still be the same as before.
I think that's what Greg is asking for.
I'm trying to wrap my head around the FM9 processor allocation.
I think that I read that the Reverb and Delay blocks are dedicated to one of the processors? IF so, does that include all of the Delay type blocks? 'Multitap-Delay', 'Megatap Delay', Ten-tap Delay; 'Plex-Delay'?
If it only includes the 2 Reverb and 2 Delay blocks, that will potentially leave a lot of unused CPU power on the table for many presets.
For example... If an FM3 preset had no 'Reverb' or 'Delay' block and was close to the CPU limit, would it still be close the the CPU limit of the FM9.
I've been getting emails from clients/customers asking for advice on what advantages are possible if upgrading from the FM3 to the FM9.
Thanks for the response.....now i can leave my analog rig alone TC=50 - FX8 via midi = heaven....tne switching and insta on w/channels and Axe FX effects.....love it, but now i need a FM_9Pedals of all kinds, wahs included, work as well or better in front of FM9/III units than with real amps, IMO
no i use it with my amp and pedals rig....just wanted to know . I never seem to get my wah settings right, so the Xotic worksLove the Xotic wah! Have you been using in front of your rig?
I asked something similar here, but an extensive comparison would be useful, I add @2112, maybe on the next video?L
I believe one core on one of the multi-core processors is used for reverbs (and delays?). Regardless it is an interesting question. Can one of you guys with both maybe throw together a preset that maxes out the FM3 CPU without using reverbs or whatever else is on that core then pet it to FM9 and see where the CPU is at?