Watching this video with Andy Timmons on That Pedal Show. At one point Andy's playing is so emotive that Dan literally walks off camera as he's overtaken by emotion.
Enjoy!
https://forum.fractalaudio.com/threads/keeley-halo-take-2.185495/Got pretty close with the dual delay, quarter notes and dotted eights at 120 bpm, L and R feeding into each other. No idea on where to start with the modulation though, other than nick the Deluxe Memory Man settings.
Watching this video with Andy Timmons on That Pedal Show. At one point Andy's playing is so emotive that Dan literally walks off camera as he's overtaken by emotion.
Octafuzz is it's own stand alone effect, not two different ones stacked. Also called Octavio, Octavia etc. We have a drive model of one in the Axe.All his tones are great, but the octave fuzz starting here is mystery to me, I've never gotten very close to that sound.
I've never tried octave before a fuzz, like he does there, will give that a shot when I get a chance.
Winterland is an overall great song too.
I know we've got one, and I've messed with it, but I never got the tones AT gets on Winterland.Octafuzz is it's own stand alone effect, not two different ones stacked. Also called Octavio, Octavia etc. We have a drive model of one in the Axe.
I know we've got one, and I've messed with it, but I never got the tones AT gets on Winterland.
Did you watch the video? Don't know about the recorded version, but live on TPS he ran it into his signature @T fuzz, and it sounded just like the record.
I watched parts of it (I'm quite familiar with his setup already), the GNI part I watched. His signature overdrive is not a fuzz though, but I get what you meant.I know we've got one, and I've messed with it, but I never got the tones AT gets on Winterland.
Did you watch the video? Don't know about the recorded version, but live on TPS he ran it into his signature @T fuzz, and it sounded just like the record.
I'm familiar with that recipe, and I start there.Getting the right sound from an Octavia usually requires this:
- neck pickup
- roll down tone
- play around 12th fret or higher