Jason Scott
Fractal Fanatic
The high- and low- pass filters aren't a hard cutoff either.
Who said hard cutoff? The point was that high/low cut filters have a stop band.
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The high- and low- pass filters aren't a hard cutoff either.
I should add I've almost always done 57+121 mixes. With the Axe 3 I've been using factory Ownhammer Marshall 4x12's with 57 and 121 but recently loaded up the York M25 57+121.
As much as i like full guitar tone , pretty much every soundguy lowcuts it before doing anything else. I usually have to ask to go easy on a low cut since i already have some lowcut dialed in.
I took a little time off due to personal problems. When I came back and loaded 10 everything sounds wonky. I will look at my cuts later today but I almost feel it's time to start from scratch with my amp tones. Probably stupid on my end a I will have to go back and remember all the little tricks I've learned over the years from Cliff, Leon, Yek and others, that I seriously haven't thought about since the day I made my amps global blocks. Sounds daunting but dont know what else there is to do. I wish we had a master thread of every tone tweak trick that we've learned over the years from the forum that has become commonplace amongst the users. And then I will need to think thru my cab tricks n tweaks as well as IEM's. backline, and FOH outputs...... Guess it's time to dig in
I assume you mean the EQ section within the Delay or Reverb as opposed before?Is the question mostly about the cab block? I rarely use any cuts there, but I almost always use a low cut feeding delays or reverbs to avoid too much low-end buildup from repeats.