White Light of Death
Power User
Thank youYeah. Typically drop tunings tune the lowest string one step below it's standard tuning. I only go as low as drop D. So, for me the low E is dropped to D and the rest remain standard.
Thank youYeah. Typically drop tunings tune the lowest string one step below it's standard tuning. I only go as low as drop D. So, for me the low E is dropped to D and the rest remain standard.
Havent read through the thread but listened to your clip. The guitar sends too much lows, so the amp is drowning in them and eats the attacks.
Take some lows off, input page of the amp block, or use a leading eq before the block. Then add back lows with a post amp eq. That should fix it.
Well.. One year.. And this is the solution.. Boy do I feel silly now.. Thanks 6. And everyone else!
I think I am having the same problem - could you please post the patch with the fix? Thank you
Well.. One year.. And this is the solution.
What I do is go to the amp block, input EQ and roll the low cut until it removes the flubbyness from the bass.
Well, the thing is this applies to all presets using my PRS. What I do is go to the amp block, input EQ and roll the low cut until it removes the flubbyness from the bass. All that is left is chug and separation, not overly fed by the bassy input from my PRS. It really helps to use the looper and palm mute some chords, and adjust as it plays.
I think that I just wanted it to sound good, like, it's a high end guitar, I just wanted it to be great without adjusting much.
I started making presets for my specific guitars, like "Recto PRS", "JVM Aristides" and so forth, applying this trick to everything. It cleans things up and shines. You would think that it would have struck me as chords using only the EBGD strings sounded good, and anything with A och (drop) D didn't.
It might have been mentioned in this thread before, but this problem exists in real amp land, too, with the Mesa Mark series being a prime example. To achieve a tight sound on those amps, a common approach is to set bass around 2 or 3 on the channel, then add it back using the graphic EQ. The same thing works in the Mesa Mark models in the Axe.
I think that I just wanted it to sound good, like, it's a high end guitar, I just wanted it to be great without adjusting much.