A.M. ADA MP 1 80's Patch

Andrea Maccianti

Andrea Maccianti

Experienced
This preamp was used in the 80's by so many of my favorite guitarists. Paul Gilbert, Vito Bratta, Kirk Hammett, Nuno Bettencourt and many more. I personally had this preamp in the early 90's. Great sound. This Patch is inspired by him.
Has 4 Scenes + one of my own Custom Cab included.
THE PATCH IT'S AVAILABLE. Is also available for Ax8 already converted and ready to use.

 
last time I got into this, I ended up buying a GSP2101 lol.. Nice job on the patches!
 
[QUOTE = "Narsh, post: 1531711, membro: 41202"] l'ultima volta che sono entrato in questo, ho finito per comprare un GSP2101 lol .. Nizza lavoro sulle patch!
Thanks a lot bro!
 
Tone Collector said:
Hi Andre, I did ask on Youtube, but maybe better to ask here: what is unique/what made the ADA special tone-wise? thx
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at the time i think it was just the ability to have a rack mount marshall sound with a butt load of MIDI accessible presets. the distortion is JCM style. BUT it also has the dual gain controls like a triaxis or mark series amp, where one feeds into the other, so you can really dial in the crunch the way you like it. but the EQ is not like a triaxis, the EQ is post gain control, so basically a crappy parametric rack EQ is all you get, it doesn't sound that amazingly good away from centered. but the built in chorus is UNTOUCHABLE, it's like out of a Juno 60, nothing does chorus like an MP-1. also, the solid state clean channel had a built in compression so squeezy, it does really nice clean sounds without a pedal comp, even straight to board. youtube paul gilbert Mr. Big for a tone summary, super crunchy rackmount sounds and 80s chorus cleans for days. end rant
 
[QUOTE = "shatteredsquare, post: 1537690, member: 28433"] al momento penso che fosse solo la possibilità di avere un suono marshall montato su rack con un carico di MIDI Presets accessibili. La distorsione è dello stile JCM. MA ha anche i controlli dual gain come un amplificatore di serie triaxis o marchio, dove uno si alimenta nell'altro, in modo da poter chiamare veramente il crunch come ti piace. Ma l'EQ non è come una triaxis, l'EQ è il controllo post-guadagno, in modo fondamentalmente un raggruppamento parametrico rack EQ è tutto ciò che si ottiene, non sembra incredibilmente buono da centro. Ma il coro incorporato è UNTOUCHABLE, è come da un Juno 60, niente ha coro come un MP-1. Inoltre, il canale pulito a stato solido aveva una compressione incorporata così squeezy, rende veramente buoni suoni puliti senza un pedale comp, anche direttamente a bordo. Youtube paul gilbert Grande per un riepilogo dei toni, i suoni rackmount super crunchy e il coro degli anni 80 pulisce per giorni. End rant [/ QUOTE]
I agree with you, I love that preamp and I love Intense Rock vid :)
 
[QUOTE = "GuttaLaser, post: 1537684, membro: 31203"] Ti ho immaginato in latex rosa shocking !!! Non ti dico !!! : D[/CITAZIONE]
Nooo aiuto! Perchè! AhAhAhAh!
 
Is this a tone match? If so, it's hard to believe. It sounds nothing like an MP-1 to me on the dirt. Played one for years. The clean is pretty sweet.
 
zenaxe said:
Is this a tone match? If so, it's hard to believe. It sounds nothing like an MP-1 to me on the dirt. Played one for years. The clean is pretty sweet.
Click to expand...
I do not use tone matching ... anyway you are the first to say this thing. I too had this preamp. Anyway, my purpose is to try to pull off pleasant sounds, I do not care to make it sound perfectly the same as the original model.
 
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