gdgross
Experienced
i normally clock all my sessions at 48kHz, which fits perfectly with the ax8. When i need to record electric, I do it direct from the SPDIF out, with the ax8 acting as the clock source. Works perfectly, and I can use my audio interfaces internal clock for recording everything else.
This may be an audio interface question, but can one do this at 96kHz? No need as far as guitar tone goes imo, or most other tones, but I've been reading some articles that make me think I might want to consider working at higher sample rates. I can always record the analog outputs of course, but it's be nice to keep using the spdif....
The ax8 only operates at 48k of course, but I wonder if the session can be twice the sample rate? No conversion needed, just record every other sample on the ax8...
Btw, the reasons are mainly for future proofing my sessions and having high sample rate master files, not necessarily sonics related.
This may be an audio interface question, but can one do this at 96kHz? No need as far as guitar tone goes imo, or most other tones, but I've been reading some articles that make me think I might want to consider working at higher sample rates. I can always record the analog outputs of course, but it's be nice to keep using the spdif....
The ax8 only operates at 48k of course, but I wonder if the session can be twice the sample rate? No conversion needed, just record every other sample on the ax8...
Btw, the reasons are mainly for future proofing my sessions and having high sample rate master files, not necessarily sonics related.