Larry Largen
Inspired
That's really cool...
Do you have a standard positioning strategy? What is it you listen for at each position to determine the final placements, stuff like that. I realize there is no paint by numbers method here but any tips to get the best UR/DI captures would be great. FAS samples a lot of cabinets with a lot of mics in a short time in a studio so am wondering what kind of general workflows you may have discovered and can pass on to use time efficiently and get usable captures.
On open back cabs and combos I like to capture the back as well as the front. Mix it with a 57 usually off the cone in Cab Lab and use the de-phase parameter in the cab block as needed.