Jason Scott
Fractal Fanatic
There's no perfect solution for this, but you can fool your senses: experiment with very short delay (I'm thinking 3-5ms)
3-5ms will result in a panned effect, thus I recommend approx. 20ms.
There's no perfect solution for this, but you can fool your senses: experiment with very short delay (I'm thinking 3-5ms)
See post #28.No expert here, but what about using an internal controller like the oscillator to vary some of the parameters to simulate two different guitar players that vary their vibrato and or timing?
For recording, I may use the haas effect to lay down a rough take, but always manually double track it in the end
try the regular stereo cab…I rely on the haas trick often (being the sole guitarist) with my live patches running anywhere from 12ms to 20ms, but lately I've found a few amp/cab combinations that don't sound very good with this approach. You might think "just choose a different cab for one side then", which works most of the time, but for a few patches I just don't have enough CPU left for a second cab block (already using x/y for cab1), and I don't want to change the tone of the other scenes where the effect is not needed. In those scenarios I rely on the enhancer block in classic mode. In some instances I find the classic enhancer sounds better live.
For recording, I may use the haas effect to lay down a rough take, but always manually double track it in the end, perhaps slightly eq each take differently on post.
You did. You invented the chorus effect!Damn, I though I had a genius moment!
That works, but you'll also have to spend another delay block to get more than micro-delays between left and right.try the regular stereo cab…
it costs less in CPU and the audible difference is almost nil..
That works, but you'll also have to spend another delay block to get more than micro-delays between left and right.