That clip from @sheky that got posted the other day put small amps on my mind. There's something magical about a Princeton Reverb when you mic them up. What looks like a dimunitive amp produces this huge tone.
This quick clip uses a stereo mic'ed Princeton Reverb model with the mic's panned just a little left and right for an even bigger sound stage. Coupled with the perfect Strat that Fender was never able to build but PRS seems to have nailed and you can ride that edge-of-breakup goodness all night long.
I tried to restrain myself from mixing in too much of my favorite reverb algorithm: South Church. But I'm only human.
Preset is here and uses only factory IRs: https://axechange.fractalaudio.com/detail.php?preset=8050 -- it should translate to the FM3 but you might have firmware feature compatibility issues.
This quick clip uses a stereo mic'ed Princeton Reverb model with the mic's panned just a little left and right for an even bigger sound stage. Coupled with the perfect Strat that Fender was never able to build but PRS seems to have nailed and you can ride that edge-of-breakup goodness all night long.
I tried to restrain myself from mixing in too much of my favorite reverb algorithm: South Church. But I'm only human.
Preset is here and uses only factory IRs: https://axechange.fractalaudio.com/detail.php?preset=8050 -- it should translate to the FM3 but you might have firmware feature compatibility issues.
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