This one? It seems like the same thing to me except on the higher 2nd half a few of the A notes in the g-e-a-e measures are either missed or not very clear from the E note ringing. The second A in each of those measures (on beat 3) is pretty clear.
This one? It seems like the same thing to me except on the higher 2nd half a few of the A notes in the g-e-a-e measures are either missed or not very clear from the E note ringing. The second A in each of those measures (on beat 3) is pretty clear.
Yeah, that is definitely one I need to be warmed up for. Especially when we open with it.This song is a litmus for where my chops are at any given time. Right now they're not worth spit.
Great job Todd!
I did; where you have C and D as the lowest note in 3rd/4th measure is where it's still A and B (with occasional slight flubs) as far as I can tell on the live '86 one. Sounds good with C & D too, but I don't think Jake was actually trying to play that.
I put down the main riff in Pro Tools and then played the harmony part over it a few different ways. The way I’m doing it sounds the most pleasing to my ears. Nobody in the audience is going to even care anyway besides us guitar players.
You are so right. It's the same in my field (carpentry.) Have to remember that the details we sweat over making perfect (like aligning recessed lights in the ceiling with cabinets/windows/etc.) customers simply hardly even notice, haha.Nobody in the audience is going to even care anyway besides us guitar players.
My wife would notice.
It's a So Cal I bought new back in 2015. Came with a maple neck. I had an old made in the USA Charvel neck from the 80's lying around with a rosewood fretboard so I stuck it on there to make it look more like Jake's. It's probably my favorite guitar. The neck is amazing.
Good for her! Then she's the type of client that would want me to work for her. (I'm actually the rare exception re my earlier comment, but I digress...)My wife would notice.
16th triplets is "wrong" if you're aiming for what ended up happening on the track, quintuplets as shown in post #17. I'd probably avoid doubled or skipped notes and play each group like the first & last 10-note patterns there.
ok. Not sure where I got that they were 16th-note triplets, but it was in more than one place. So it's not quite as blazingly fast, but it's not as natural, from a counting/timing perspective. Oh well. One other thing I mess with is in quintuplets, so I'll try it out. Reminds me of high school band, where I first learned 1/2 note triplets. Had to stop tapping my foot at first to play them, haha.
