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vintage

  1. Olli_A

    FM3 is AMAZING for blues-rock vintage tones

    Hi all! I had FM3 for a while last summer and I created some presets back then and also recorded some noodling around clips of them. I sold the FM3 because I didn't see myself gigging with it and am now waiting for an FM9. All I can say is that is sounded and felt amazing to play and I loved...
  2. Danny Hayoun

    Magnatone Panoramic Stereo Amp?

    Not necessarily needing the stereo capabilities, but I played this amp today and was FLOORED by it and a few other Magnatones I checked out. I intend to TRY and approximate it but would be ETERNALLY grateful if the good folks at Fractal could actually properly model this beast!!! The reverb and...
  3. camilovelandiamusic

    Joe Bonamassa 1959 Les Paul with Axe-Fx III

    Demo of the Joe Bonamassa Gibson Custom Shop 1959 “Skinnerburst”. Used the Axe FX 3 for all sounds...
  4. austinbuddy

    AustinBuddy's 3 NEW Cab Packs in Fractal Store - here are his favs

    Hi Fractal Friends: Fractal Audio is now selling three new Cab Packs created from multi-day sessions at Public Hi-Fi studios in Austin, Texas. In addition to some studio amps/cabs, most are from Austin Vintage Guitars super cool amp collection. Thanks to feedback from the forum, I included...
  5. ML SOUND LAB

    ML Tutorial: How to mix IR's with Cab-Lab 3

    @brokenvail asked me for a tutorial with tips and tricks in this thread on how to mix IR's and I thought it was a great idea. Sure it's also one of those topics that has taken me years to perfect to where it is now. This is just a quick way everyone can have some fun experimenting with IR...
  6. Michael Engel

    Slow Blues Solo - patch based on Tyler Grund's SRV tone tutorial

    Hi all. First off.. A big thanks too Tyler Grund for helping me create this patch. I followed his SRV Tone Tutorial and tweaked it from there. So im playing on a 1975 stock Stratocaster, through my Axe-FX 2. Patch is basically a tube screamer running through 2 Vibrato Verbs in parallel, one...
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