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  1. jlynnb1

    Anyone using TacoSounds IRs?

    for whatever reason the AI voice text on their videos really puts me off....
  2. jlynnb1

    Anyone having issues with connection?

    Just in the last week or so it seems everytime I disconnect USB from the AxeFX to my Mac, when I come back it won't reconnect until i restart both machines/unplug all cables etc. I reset system management etc on my mac but can't figure out for the life of me why it's doing this all of the sudden.
  3. jlynnb1

    AC30 Brilliant....bravo Cliff

    either way i love it
  4. jlynnb1

    AC30 Brilliant....bravo Cliff

    or what an AC30 is supposed to sound like
  5. jlynnb1

    AC30 Brilliant....bravo Cliff

    I have to give it to you, @FractalAudio , this may be my new fav clean/edge of breakup/chime amp in the box. I've never vibed with AC30's (although it's variants are my fav amps..such as the AC20, DC30 etc) but man, this was so easy to dial in and it's perfect. Takes drive blocks incredibly...
  6. jlynnb1

    Anyone fly Rc airplanes?

    something i've always wanted to do, never been able to commit to it though. maybe one day.
  7. jlynnb1

    A few new patches and a layout for you to try.

    great stuff as always sir
  8. jlynnb1

    Issue with Delay Not Working [solved]

    if its the 2290 and it's being summed to mono it can phase cancel and you won't hear it. otherwise, since you are new to the unit, are you certain the delay block is active?
  9. jlynnb1

    Routing USB Audio for live tracks from Mac

    yeah i was try to use it in a pinch as an all in one interface because of a lack of direct boxes where i was. was hoping to route mainstage, click and stems from my Mac all through the Axe. I knew it was a stretch but thought it was worth asking if anyone had figured out how to do it.
  10. jlynnb1

    Routing USB Audio for live tracks from Mac

    Anyone use their AxeFx to route the audio from a computer for track playback live? I was trying to figure it out tonight but for the life of me no matter what I did it just kept coming out output 1
  11. jlynnb1

    High Cut - Yes or No

    IEM's, FRFR and studio monitors.
  12. jlynnb1

    High Cut - Yes or No

    i haven't hi cut since the later firmwares on the II
  13. jlynnb1

    Mimic the Ultra Lo switch on the SV Bass models

    i'd try output eq and eq before the amp and see what sounds closest
  14. jlynnb1

    Today’s Lyrics Are Pathetically Bad

    it's also contextual by generation. people who grew up on musc in the 50's thought the 70's were bad and on an on.
  15. jlynnb1

    Axe-Fx III Firmware 25.00 Public Beta (Cygnus X-3)

    struggling with my stuff, but i'll get there i'm sure lol
  16. jlynnb1

    Axe-Fx III Firmware 25.00 Public Beta (Cygnus X-3)

    loving the higher gain, my go to Matchless tones feel a little stiff and clangy but im sure I just need to experiment with the amp block more
  17. jlynnb1

    Great tones....

    While I'm certain most of these tones can be found in the box....cool design and great frickin tones. Across every channel. Cool button/control layout as well.
  18. jlynnb1

    Dirty Loops - Run Away (FM9 sighting)

    yeah he's been using Fractals for a long time, amazing player
  19. jlynnb1

    Over EQing?

    man I haven't done low or high cuts in years, never on the III. I just feel like it hasn't needed it in a very long time.
  20. jlynnb1

    Amp Pre / Stacking Amps

    amazing tones as always though
  21. jlynnb1

    Amp Pre / Stacking Amps

    this is a technique that's been used for years....glad he made a video on it, but it's not novel or new.
  22. jlynnb1

    Longest time between updates for the FM3...is this it?

    yeah you sort of have to accept it going in....and it's honestly why i don't make my life easier with the FM9. As much as I'd love to not lug the III around to everything, I like having all the new stuff too much to give it up lol.
  23. jlynnb1

    what's your go to spacey Reverb model?

    Deep Space is also a good choice
  24. jlynnb1

    Integrate CabLab DynaCabs into AxeEdit

    he asked for CabLab dynacabs....those libraries are much larger than what's stock on the machine.
  25. jlynnb1

    Integrate CabLab DynaCabs into AxeEdit

    the size of the full dynacab libraries is too big, would take up too much space
  26. jlynnb1

    New ESP LTD GL Desert Eagle - Thoughts?

    or you could get the Satchel Paige Charvel for less than both...
  27. jlynnb1

    New ESP LTD GL Desert Eagle - Thoughts?

    but honestly adding a way to get the middle would super easy.
  28. jlynnb1

    New ESP LTD GL Desert Eagle - Thoughts?

    ESP/LTD always putting out great guitars. The new Eclips LP Jr is pretty cool as well.
  29. jlynnb1

    New Gibson…err…Mesa Amps

    just curious, are you close personal friends with Randall and or the person who actually did design the amps?
  30. jlynnb1

    GIFT OF TONE 2023 #3 - Wes Hauch!

    maybe my fav GOT this year, massive tones that are fun to play
  31. jlynnb1

    Tim Pierce Bad Cat Tone

    yeah with an LP you probably won't have to be as drastic with the eq
  32. jlynnb1

    Clipping during recording... 5 weeks of searching :(

    you have cab modeling bypassed....
  33. jlynnb1

    PSA for the best sounding best value IEM KZ ZS10 Pro's

    glad y'all enjoy them....never had a universal hold a candle to molds, personally....
  34. jlynnb1

    Boss IR-2 - Fractal Killer?

    i don't see how, since there were maybe 3 usable tones in that video. I hate the clean and edge of breakup tones. the heavier ones were ok and the Marshall type sounded pretty bad to my ears as well.
  35. jlynnb1

    Dweezil pimping UA now...but man that tone is terrible...

    I would certainly hope not...
  36. jlynnb1

    Dweezil pimping UA now...but man that tone is terrible...

  37. jlynnb1

    Anyone Else Find Dyna-Cabs Overly Bright?

    and this is with all mic types?
  38. jlynnb1

    2502 and 2x 412's vs. 2x CLR's

    pick up two of the Fender FR12's. will barely cost you 1k.
  39. jlynnb1

    Ada mp-1 can we confirm it will never happen or is it still a maybe?

    only Cliff knows, but as requested as its been, if it hasn't happened by now... That being said, there's gotta be plenty of ways to get that tone already in the box...
  40. jlynnb1

    Axe-Fx III Firmware 23.02 Release

    this is honestly what keeps me dragging this 40lb rack around, wanting to have the updates. If they were more in step with one another and go FM9 in a heartbeat
  41. jlynnb1

    VH Best of Both Worlds Summer 24 Tour

    I know they are fiends from Chikenfoot so it makes sense but if I were choosing guitarists for a VH tribute, Satch wouldn't have been my first choice. Still cool that they are doing it though.
  42. jlynnb1

    Don't Work on Amp Models When You're Overworked and Tired

    Low output you say. The DC30 has hi an lo outputs. There didn't happen to be a jumper involved did there?? #alliwantforchristmas
  43. jlynnb1

    VH Best of Both Worlds Summer 24 Tour

    he should've used the FM9, that tone was meh at best....
  44. jlynnb1

    A pre set input EQ on default state amps

    i mean it's obviously part of the amps sound because it's shaping the input before it hits anything else. I'm sure each designer does it that way to achieve the sounds they are going for with that particular amp.
  45. jlynnb1

    Gapless Switching: Who ditched Scenes for Presets?

    different things for different purposes. I'd never do that because I don't switch amps for most gigs so there's no benefit for me. Scenes work much better for my scenario.
  46. jlynnb1

    Wish Matchless DC-30 Jumped

    I mean I’ll even send the Fractal team some of my amazing Biggs Farms jams if they’ll make it happen…
  47. jlynnb1

    Favorite 2 drive pedals into a clean amp?

    Klon and KOT
  48. jlynnb1

    Who else never really uses the drive block(s)?

    just a different flavor, some prefer it some don't. Many prefer it for what it does to the front end of the amp, and it has little to do with gain....
  49. jlynnb1

    AFIII House of Pain clip - for Phil X

    all terms used to describe whatever the AxeFx "lacks" usually just boil down to how and how loudly the person is monitoring....
  50. jlynnb1

    Another Fender FR-12 review

    Got to crank mine up for a few hours on Halloween, and I have to admit, I'm very happy with it. The best way I can describe it is that it sounds exactly like I'd expect it to, but with more of the guitar cab feel/response that everyone keeps mentioning. When I say it sounds exactly like I'd...
  51. jlynnb1

    Fender FR-12 compared to PXM-12. My experience so far.

    on a flight home ftom Yosemite, FR12 is there waiting on me and I will be reprising my role as Eddie from Stranger Things on the roof tomorrow night for all the trick or treaters, should be a good first test!!
  52. jlynnb1

    Fender FR-12 compared to PXM-12. My experience so far.

    Have one arriving from Zzounds tomorrow, looking forward to trying it out when I get home from Yosemite
  53. jlynnb1

    AFIII Two Rock Traditional Clean vs Fractal Two Rock Preset

    i actually prefer the amp tone from the Fractal, verbs just weren't as present as in the amp clips.
  54. jlynnb1

    Cab-Lab 4 Release 🔈🧪

    the only thing I see that I'd like added is the ability to angle the mic. Always preferred angling a dynamic mic like a 57 as opposed to straight on. small thing, though. killer work team!
  55. jlynnb1

    Axe-Fx III Firmware 23.00 Public Beta #1

    Gapless switching, wow! Never been an issue for me but I know many have wanted it for a long time, so exciting news!
  56. jlynnb1

    Fender Tone Master Pro....

    More interested in how the FRFR sounds. Wish there was somewhere I could compare it and the Laney side by side. Fender is much cheaper so that's attractive...
  57. jlynnb1

    Axe-Fx III Firmware 22.01 Release

    just having a little fun in the firmware thread....
  58. jlynnb1

    Axe-Fx III Firmware 22.01 Release

    here comes the AxeFX Quattro....
  59. jlynnb1

    Insanely loud reverb and delay on EVERY setting!

    since they haven't responded in almost a year and a half, probably not....but they didn't give us much to work with to hep them. For what you are dealing with, just turn off the FX and save the preset without them. Many factory presets feature the amos as well as fx, just the way it is.
  60. jlynnb1

    Getting that warmth sound.....

    a less snarky repy....typically for me, when people say warmth, they are referring to off axis listening position they play in while their open back cabinet bounces rear of cabinet sound of the walls behind the speaker combining to create the illusion of a sound that is much bouncier, warmer...
  61. jlynnb1

    Getting that warmth sound.....

    put your ear against the speaker where a mic would be then report back about the warmth that you hear....
  62. jlynnb1

    "Taste the Biscuit." Greatest musical performance ever.

    wing stop girl is truly terrifying
  63. jlynnb1

    NGD: incoming DK24

    i've started to sell mine 50 times because it doesn't get enough action, then i pick it up and am like, absolutely not lol
  64. jlynnb1

    Delay Effect Elongation

    just increase feedback
  65. jlynnb1

    First impressions from a long time Helix user

    yes if it's the same amp you should be much happier
  66. jlynnb1

    Rediscovering models (EOB/vintage)

    DC30, AC20
  67. jlynnb1

    Who's gone from the III to the FM9?

    I also use the hold function to switch channels on my drives, delays and mods...but honestly try to use either scenes or best case when I have the time to program, automated changes from Ableton. Since I'm typically MD'ing as well as playing lead the less I have to tap dance the better.
  68. jlynnb1

    Who's gone from the III to the FM9?

    yeah our styles are pretty similar, sounds like it would be ok. I'd keep the FC12 so technically I could run an OMG21 lol. I might just sell my FM3 and random studio stuff and keep the III too.
  69. jlynnb1

    Who's gone from the III to the FM9?

    yes the dedicated CPU is what gives me hope
  70. jlynnb1

    Who's gone from the III to the FM9?

    I primarily do worship music which usually means multiple delays, reverbs an drives etc...
  71. jlynnb1

    Who's gone from the III to the FM9?

    How was the transition? What did you miss, how much did it affect your presets? With my studio being upstairs while also playing live weekly, lugging the III in its 5 space case etc plus the FC12 PLUS guitars has gotten a little laborious. I could offload other gear to purchase an FM9 and keep...
  72. jlynnb1

    Gran Turismo: The movie

    looking forward to it, bit of a GT7 addict myself...
  73. jlynnb1

    Dialing in a good low-gain OD tone

    for this vibe I'd say def an AC style amp. My preferred would be DC30 but the AC20 is a good choice as well. The Chieftain would even work. While not being an AC style the amp the Buttery would be a great option as well.
  74. jlynnb1

    Can't find a good high gain tone

    but of all the tones in the Fractal, high gain should be the easiest to dial in because high gain amps are so represented.
  75. jlynnb1

    Can't find a good high gain tone

    the KPA also has an exaggerated midrange compression that makes the profiles feel unnaturally fluid/easy to play.
  76. jlynnb1

    Not all Class D created equal?

    exactly
  77. jlynnb1

    Anyone care to share rock crunch preset set up for single coils?

    that tone didn't sound thick to me, just sounded loud. also was a little more gain than I'd consider crunch.
  78. jlynnb1

    Dyna Cab help

    DID YOU INSTALL THE DYNACAB FILE?
  79. jlynnb1

    Dyna Cab help

    did you install the Dynacab file? did you RANF (refresh after new firmware)
  80. jlynnb1

    Any Izotope Neutron users out there?

    I haven't had as much use for it but I love the izotope plugins
  81. jlynnb1

    Any Izotope Neutron users out there?

    I like Ozone more on the master bus, neutron on tracks
  82. jlynnb1

    Not all Class D created equal?

    I'd rather do a surgical cut around 250 than than cut EVERYTHING 250 and below
  83. jlynnb1

    Help on the Mick Mars tone

    yeah my mix is way more balanced than that, lol. was just saying the click isn't that noticeable after getting used to it.
  84. jlynnb1

    Dyna cabs Packs

    3 different creators working off the same cab will alway come up with the 3 unique offerings....nothing wrong with variety.
  85. jlynnb1

    Help on the Mick Mars tone

    been playing with a click for at least 10-12 years, you don't even notice it after a few gigs.
  86. jlynnb1

    What Amp Models would you like to see added?

    it's already there is it not?
  87. jlynnb1

    Wish Mezzabarba Eric Steckle Signature Amp

    send the actual amp and the schematic and I'm sure Cliff would love to.
  88. jlynnb1

    Wasting Time.

    I disagree. it can be as simple or complex, as easy or as time consuming as you make it.
  89. jlynnb1

    Dyna Cabs for David Hislop presets?

    York Matchless has been my go to for a while, since it came out honestly.
  90. jlynnb1

    Sleep Token sounds

    Vessel's tones seem a bit looser in the bottom end than the 5150 type amps. Maybe more of a recto type vibe? Doesn't strike me as a super tight modern thing.
  91. jlynnb1

    Realistic vs Ideal Amp Response

    I just "discovered" FAS Lead 1 a couple of weeks ago and it's become one of my favorite models to play
  92. jlynnb1

    Mike Tramp & White Lion

    man, wish Vito had been able to stay around and stay relevant.....was such a great player.
  93. jlynnb1

    FOH Fractal Specific EQ Settings

    I stopped using cuts many firmwares ago, haven't felt the need for them in a long time.
  94. jlynnb1

    Axe-Fx III Firmware 22.00 Public Beta #4 (Beta 10)

    excited to have the VOX and Matchless Dyna-cabs. I feel like there's an amp that Matchless cab would pair really well with, it's right on the tip of my tongue....
  95. jlynnb1

    Whats Causing the Jump in delay volume when changing scenes?

    my guess it's the bypass modes
  96. jlynnb1

    Some cool 80's guitars in Brandon Ellis' collection.

    killer player, his phrasing and vibrato is second to none.
  97. jlynnb1

    How might you approach making this tone (Chris Buck)

    he's def thought of stuff we haven't even imagined yet. but seriously, I'd say those things are factoring into the perception of the tone we're hearing. get right in front of the speaker and it probably already sounds like something you're working with.
  98. jlynnb1

    How might you approach making this tone (Chris Buck)

    if only we could emulate iPhone audio off axis and below the amp contending with all the other frequencies in the room
  99. jlynnb1

    FW 22 revelations

    Makes sense, didn't they base early Marshalls off the Bassman??
  100. jlynnb1

    FAS Lead 1

    I don't spend a lot of time scrolling factory presets. I typically know what I like and prefer to just program what I need....but man, I stumbled across this one (that, I know, has been sitting there for years) and it might be one of my fav tones in the box. I know it's 6L6 based but man it just...
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