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  1. gelati

    OPINIONS ON STUDIO MONITORS!

    I've heard some of them have a light hissing/buzzing sound when there isn't any audio going through them! have you experienced anything of this nature?
  2. gelati

    OPINIONS ON STUDIO MONITORS!

    thanks! :)
  3. gelati

    OPINIONS ON STUDIO MONITORS!

    yo! i know this has probably been asked a thousand times, but hey 1001 can't hurt! so I'm looking for a pair of reasonably priced monitors to use with my axe, they will be mainly used for my axe fx, listening to music, and mixing and mastering my recordings! (not sure what else you could use...
  4. gelati

    taco enthusiast

    taco enthusiast
  5. gelati

    I'm returning to the axe fx :D

    SHOUT LOUDER!!! i say BE PROUD!!!BE AXE FX!!! just starting my own slogan for fractal now haha lets see if it catches on ;)
  6. gelati

    AXE FX 2 mkII OR XL!!!

    im leaning the mk2 more so now! as one of the guys said, it could be spent on other thing like a pedal, or upgrade some other equipment!
  7. gelati

    AXE FX 2 mkII OR XL!!!

    yeah its hurts ay! our dollars are the same now though!!! :/
  8. gelati

    AXE FX 2 mkII OR XL!!!

    yeah prices are fucked here in australia! :/
  9. gelati

    I'm returning to the axe fx :D

    should i go xl of mkii, is there a big difference, or even a tonal one at all
  10. gelati

    AXE FX 2 mkII OR XL!!!

    ok in my last post i explained why i left the fractal family! but now I'm returning! i have the opportunity to get either a axe fx 2 mk II, or an axe fx 2 XL, the only thing is there is a $900 difference between these two (used price) so basically which one should i go? is there a big benefit...
  11. gelati

    I'm returning to the axe fx :D

    totally agree! i have learnt my lesson the hard way haha
  12. gelati

    I'm returning to the axe fx :D

    so i originally had a axe fx 2 mkII, and at the time i had no idea what i had gotten myself into! i was gigging at the time and also couldn't afford the mfc! so i made the VERY FOOLISH decision and sold her! (yes i regret it every day!) that was almost 2 years ago! and since then i do not play...
  13. gelati

    FAS Link shipping abuse

    it is hand delivered by Megan Fox though yeah?
  14. gelati

    clear sounding big chords???

    yep so i did a bit on tinkering with the Diezel VH4 (3rd ch) and all i really needed to do was lower the gain to around 3, add a bit of presence, little bass, and now i am in love!!!! its so punchy! and notes are very defined!!! if anyone has any other tips... like for graphic EQ, or something...
  15. gelati

    clear sounding big chords???

    ill give this a shot! cheers for the pm!!
  16. gelati

    clear sounding big chords???

    thanks for all the interest guys! still having trouble so i thought maybe is there someone out there that can actually help me create a few patches!!! i know i can get the tones i want! but i just need to learn how to!!! anyone know of someone that does that sort of thing?
  17. gelati

    clear sounding big chords???

    hey, yeah if you listen to the intro of All New Materials by Periphery, when the drums kick in is a decent example! just true note definition of the chords! https://www.youtube.com/watch?v=6GfIoi9eG0A
  18. gelati

    clear sounding big chords???

    just inboxed you
  19. gelati

    clear sounding big chords???

    yeah ill post a patch now
  20. gelati

    clear sounding big chords???

    yeah i dont use too much gain! and i dont scoop either, which makes me think i should be messing with one of these advance parameters more! and yeah haha im a mesa fan, not for the rectifier but the Mk2c+ and IV and so on hhaha ill give the triptik a go! suggest any cabs?
  21. gelati

    clear sounding big chords???

    ok so recently i got my axe fx 2 mk2 and ive been messing around with it quite a bit, but one thing that is frustrating me to no end is the rhythm stuff! lead is amazing, cleans are unreal, ambient stuff if absolutely unrivalled, but i just cant seem to nail a decent rhythm tone. now im using a...
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