guitarzen
Inspired
I can’t wait to try this.Nope, in the gate block there's a parameter called "sidechain select", set it to input 1
I can’t wait to try this.Nope, in the gate block there's a parameter called "sidechain select", set it to input 1
I can’t wait to try this.
The gate audio valve is wherever the gate block is placed on the grid, but the thing that opens it is the signal coming in on input 1 (or whatever you pick as the sidechain source), that way the gate opens up using clean pickup signal and doesn't have to listen to a bunch of noise, the threshold can be set more sensitively for it to still open the gate, it only has too deal with the non-distorted pickup DI, and since the gate is at the end, there's nothing between the guitar signal and the amp chain, that link stays open, so the guitar-amp dynamic isn't adulterated by anything
Probably, the gate blocks are thereThis seems super cool. Do you know if it would be possible to replicate on the FM3?
Any default settings and placement of the Gate block for maximum performance? Would right after amp or cab be a good place? Definitely going o experiment.
I'm trying to learn how they are different. I understand they give different results. Just want to know why.
I disagree because of the differences in the outcome I listened to. There was no difference in the fade quality. They both faded the same way with the same noise being present when getting near the end of the fade. I just didn't hear an advantage using the gate block. This is why I was asking if my settings were incorrect. And it seems side chaining it back to the input would cause the same results. I'm going to try not side chaining to channel 1 and set the gate, after the amp, defaulted with some modified threshold, ratio, attack, hold and release settings, and see if that gets a different results.@GiRa already said it, but it's analogous to using your volume knob at the guitar vs turning the level knob at the mixer.
With the gate after the amp, the amp dynamics remain the same, the gate is like applying a fade on a recorded track so to speak.
Gating at the input, means you are fading the input guitar signal, which will distort less at the amp, changing the tone as it fades.
My input noise gate is usually set at threshold -40, ratio 2:1, attack 10ms, release 20ms. Using those settings in the gate block was not effective. I had to go to -30, 3:1, and raise the low cut to 400 to get it quiet.
So do I keep the input gate active and use the gate block in side chain to channel 1, or do I turn off the gate in the input block. Because turning off the input gate, lets noise pass and the gate does not fully shut. I have to bring the threshold from -40 to -30, and increase the ratio from 2:1 to 3:1, then raise the low setting to 400 or above to get the same results as the input gate setting at -40, 3:1, 10, 20If those settings were enough to latch the input block noise gate, they would have latched the gate block the same way, if gate block was set to input 1 sidechain. 'Should have.' It would have closed the same way, just closing off signal behind the rig instead of in front of it.
+1 on this please.@FractalAudio a swell opportunity for a new tech notes topic
So do I keep the input gate active and use the gate block in side chain to channel 1, or do I turn off the gate in the input block. Because turning off the input gate, lets noise pass and the gate does not fully shut. I have to bring the threshold from -40 to -30, and increase the ratio from 2:1 to 3:1, then raise the low setting to 400 or above to get the same results as the input gate setting at -40, 3:1, 10, 20
What was the input gate's "type" parameter set to? "Intelligent" works a bit differently with AC hum filtering, and I think one or both types include dynamic high frequency filtering that isn't in the gate/exp block.
A better comparison is to just disable the input gate, then compare a gate/exp block before the amp vs. after the amp. The higher the threshold is, the more of a difference you should notice, with post-amp gating dropping in level faster, and pre-amp gating causing the tone to clean up before the volume drops very much.
@Tommy Tempest Basically if you just had the input noise gate working how you wanted it, if you put those same threshold settings into the gate block with sidechain set to input 1, it would close the same way as before, it's still taking its cue from the same place, it's just now you've moved the valve somewhere else, it's still listening to the same thing to know when to close. The gate block has to be set to input 1 as its sidechain source though, so it listens to the same thing the input block does. Then you can just scoot that valve wherever you want it.