unix-guy
Master of RTFM
So after getting the whole band direct and using quality custom molded IEMs, we've been using them for a couple weeks now... I prepared by creating a preset covering my basic needs by plugging mine into the Headphone jack of the Axe Fx. It is not perfect yet, but getting there.
However, at both rehearsal sessions so far, I have been less than thrilled with my sound. Initially I was thinking it was a mix issue, but tonight I did some further analysis and what I found surprised me.
EDIT:
To better clarify the part below, I am updating this section:
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In the routing description below, these terms are used for clarity (I hope):
AxeFx (Axe Fx Output 1)
Splitter (ART S8 rack mount XLR splitter)
Mixer (Mackie DL32R rack-mounted digital mixer)
Transmitter (Audio Technica M3L wireless transmitter)
Receiver (Audio Technica M3L wireless receiver body pack)
IEMs (1964 Audio V6s In Ear Monitor ear pieces)
Routing (everything from AxeFx to transmitter is by stereo pairs of XLR cables)
AxeFx --> Splitter --> Mixer --> Transmitter --> Receiver --> IEMs
The output from the Mixer to the receiver is via 2 XLR outputs assigned to my pre-fader AUX mix. Each band member has their own pair of AUX outputs for independent monitor mix.
There are several places in this chain that have a headphone out jack that I can monitor by plugging the IEMs directly in to instead of the feed out of the wireless Receiver:
Axe Fx: sounds good
Mixer: not tested yet
Transmitter: sounds bad
Receiver: sounds bad (same as directly from the Transmitter)
----
Next steps will be to see what it sounds like from the Headphone jack on the DL32R and if that is not better, I'll route the Axe Fx direct to the input of the transmitter... I will also try some other XLR cables out of the Axe Fx.
If anyone has any suggestions or experience similar to this, please share.
Very frustrating to spend this much money on gear to end up with inferior tone
Thanks
Kevin
However, at both rehearsal sessions so far, I have been less than thrilled with my sound. Initially I was thinking it was a mix issue, but tonight I did some further analysis and what I found surprised me.
EDIT:
To better clarify the part below, I am updating this section:
-----
My routing is this:
Axe Fx-> ART S8 splitter -> Mackie DL32R mixer -> Audio Technica M3L wireless
I've noticed that if I switch between the Headphone out of the Axe Fx and the wireless at the same levels, the audio quality gets worse and has some "artifacts" (not really sure how else to describe it).
So, I tried then to plug in to the Headphone jack of the M3L transmitter thinking maybe this was due to the wireless transmission. The sound was no different....
In the routing description below, these terms are used for clarity (I hope):
AxeFx (Axe Fx Output 1)
Splitter (ART S8 rack mount XLR splitter)
Mixer (Mackie DL32R rack-mounted digital mixer)
Transmitter (Audio Technica M3L wireless transmitter)
Receiver (Audio Technica M3L wireless receiver body pack)
IEMs (1964 Audio V6s In Ear Monitor ear pieces)
Routing (everything from AxeFx to transmitter is by stereo pairs of XLR cables)
AxeFx --> Splitter --> Mixer --> Transmitter --> Receiver --> IEMs
The output from the Mixer to the receiver is via 2 XLR outputs assigned to my pre-fader AUX mix. Each band member has their own pair of AUX outputs for independent monitor mix.
There are several places in this chain that have a headphone out jack that I can monitor by plugging the IEMs directly in to instead of the feed out of the wireless Receiver:
Axe Fx: sounds good
Mixer: not tested yet
Transmitter: sounds bad
Receiver: sounds bad (same as directly from the Transmitter)
----
Next steps will be to see what it sounds like from the Headphone jack on the DL32R and if that is not better, I'll route the Axe Fx direct to the input of the transmitter... I will also try some other XLR cables out of the Axe Fx.
If anyone has any suggestions or experience similar to this, please share.
Very frustrating to spend this much money on gear to end up with inferior tone
Thanks
Kevin
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