bgrizzmayne
Inspired
Turn down the highs/increase high cut or do you arrange your FRFR differently?
I like the way that my axe sounds, but when it directly hits me at high volumes a la a wedge, it's pretty freaking harsh. With that said, I wouldn't be surprised if my guitar cab did the same thing if pointed it right at my face too.
What do you guys think? Since FOH is what's getting my signal, I don't want to high cut it so that it works for me in wedge format, but I lose all my highs out at FOH. But if it truely is that harsh and sounds bad out FOH, then I need to cut the highs.
My band runs our own sound from stage, and I just got a wireless, so I suppose I could go out and judge how it sounds in the mix and decide whether the highs are excessive in FOH or juts due to my monitoring configuration. What do you guys do?
PS: Im just using FOH as an expression, since we run our own sound from the stage, obviously we don't have a true FOH. I just mean going through our PA
I like the way that my axe sounds, but when it directly hits me at high volumes a la a wedge, it's pretty freaking harsh. With that said, I wouldn't be surprised if my guitar cab did the same thing if pointed it right at my face too.
What do you guys think? Since FOH is what's getting my signal, I don't want to high cut it so that it works for me in wedge format, but I lose all my highs out at FOH. But if it truely is that harsh and sounds bad out FOH, then I need to cut the highs.
My band runs our own sound from stage, and I just got a wireless, so I suppose I could go out and judge how it sounds in the mix and decide whether the highs are excessive in FOH or juts due to my monitoring configuration. What do you guys do?
PS: Im just using FOH as an expression, since we run our own sound from the stage, obviously we don't have a true FOH. I just mean going through our PA