barhrecords
Axe-Master
The "no mic" is a setting in the AxeFx Cab block.
It is not specific to the IR or the way the IR was captured.
Richard
It is not specific to the IR or the way the IR was captured.
Richard
You could set this up on the Axe-FX, but I don't think there would be a benefit. Sending a NF tone to the FOH would require the sound man to shape your tone. You've already done this, as part of builing your Axe-FX patch. Conversely, sending the same tone to your FRFR stage monitors AND to FOH means he hears what you hear. The FOH is after all, FRFR. Perhaps some room compensation will be required, but that is all that will have to be done.It would be great to hear the FF through your on stage FRFR monitors and the FOH to receive the NF like in real life.
That is correct.I think you are saying the TC30 is a neutral mic that could be used when no mic coloration is wanted...which is what Scott has suggested as a starting point when dialing an amp and cab in the axe 2....right?
The time is near, if all goes according to plan with no interruptions I should have the updated Bogner V31 and Mesa V32 done and on the site by next Friday.
In the following example, I'm demonstrating how the tail length truncation affects the overall sound. As indicated in the comments, in the first half the tail is full at 500 ms; in the second half it is truncated to 42 ms. This will show the difference between using the full wave audio file or Nebula program in the DAW vs what can be expected coming out of the cab block in the Axe-Fx II. The tone is retained, however you lose most of the room reflections, as to be expected.
Innocent question
Due to the 2048 length limit on the Axe FX 2 , I lose the roominess of the real cab to certain extend?
Thanks fo an answer
Roland
thunder100 said:Due to the 2048 length limit on the Axe FX 2 , I lose the roominess of the real cab to certain extend?
You don't get 'roominess' from the Axe-FX cab block through the IR's - they are too short to contain the 'room' as you note.
You don't get 'roominess' from the Axe-FX cab block through the IR's - they are too short to contain the 'room' as you note.
Of course, there are other options that are more flexible, IMHO:
- Use the room settings in te cab block to add room reflections
- Use reverb for ambience
- Play in a room (sorry, couldn't resist )
The time is near, if all goes according to plan with no interruptions I should have the updated Bogner V31 and Mesa V32 done and on the site by next Friday.
Kevin, get well soon and looking forward to hearing what you've done. Thanks so much for pushing the envelope on this part of technology, I am not alone in expressing my gratitude on the work you are doing. It is appreciated.
I had a couple seconds to put together a quick demo of an early Back of Cabinet IR. As indicated by the comments, the order of the tracks are:
SM57 only | Back of Cabinet only | both together
I bought these a little over a week ago and have been really enjoying the hell out of them. Thanks again! The 412 Bogner V31 FF's are amazing.
Thanks for the well wishes everybody, much appreciated!
I actually haven't released them yet, but I now know a point of confusion I need to address until I get the update out. In that library and the Mesa V32, position numbers with an F after it are Fat1, with an FF are Fat2. I devised that 6 months before these Far Fields were conceived, so what you're actually using are the double fat near fields. The Fat stuff has seen a big overhaul/improvement as well, and I'll release info on that soon. Glad you're digging those though! There are a few things I need to reply to on the board but I need to save that for when I'm not battling over the keyboard with my 3 year old...