Hi all,
Just wanted to give everyone a sneak preview of the upcoming Room and Far Field IR's I'll be adding to the WAV and NEB libraries for free throughout the course of my updates. In the same fashion as the rest of the mics, there will be (generally) 5 positions each. The Far Fields will see two different versions of each position, 'C' and 'D'. This stands for Clean and Distorted respectfully, and is an indication of what type of guitar tone would be best suited for that version of the IR. The Clean version is a natural capture with a completely open top end, where the Distorted version has the fizz frequencies acutely dialed out. All of this will be put in the ReadMe as well. The below quick and dirty demo tracks are all done using the 412-GTR Bogner V31 cab/speaker combo, and done with the wave audio (WAV) version as that is the quickest for me during the testing process.
In the following example, I'm using the "Clean" website demo track with the MA200-3, Room-2, and FarField-2C IR's. As indicated in the comments, the order of the audio tracks are:
MA200 only | Room only | Far Field only | MA200 + Room | MA200 + Far Field | All 3 together
In the following example, I'm using the "Classic Rock" website demo track with the SM57-3, Room-2, and FarField-2D IR's. As indicated in the comments, the order of the audio tracks are:
SM57 only | Room only | Far Field only | SM57 + Room | SM57 + Far Field | All 3 together
In the following example, I'm demonstrating how the tail length truncation affects the overall sound. As indicated in the comments, in the first half the tail is full at 500 ms; in the second half it is truncated to 42 ms. This will show the difference between using the full wave audio file or Nebula program in the DAW vs what can be expected coming out of the cab block in the Axe-Fx II. The tone is retained, however you lose most of the room reflections, as to be expected.
I have no estimations at this point of when this will be implemented, or what order I'll do them in, just that they will be released with each library update. No amount of begging, pleading, or demanding will influence this, however I am most certainly open to sizable bribes. :lol The 412-GTR Mesa V32 will probably be first as it is 100 percent current in terms of library features and capture methods.
Stay tuned to my Newsletter and/or Forum for more info as it breaks, hopefully this will be a welcome addition to your tonal palette, especially for you non-metal heads.
Just wanted to give everyone a sneak preview of the upcoming Room and Far Field IR's I'll be adding to the WAV and NEB libraries for free throughout the course of my updates. In the same fashion as the rest of the mics, there will be (generally) 5 positions each. The Far Fields will see two different versions of each position, 'C' and 'D'. This stands for Clean and Distorted respectfully, and is an indication of what type of guitar tone would be best suited for that version of the IR. The Clean version is a natural capture with a completely open top end, where the Distorted version has the fizz frequencies acutely dialed out. All of this will be put in the ReadMe as well. The below quick and dirty demo tracks are all done using the 412-GTR Bogner V31 cab/speaker combo, and done with the wave audio (WAV) version as that is the quickest for me during the testing process.
In the following example, I'm using the "Clean" website demo track with the MA200-3, Room-2, and FarField-2C IR's. As indicated in the comments, the order of the audio tracks are:
MA200 only | Room only | Far Field only | MA200 + Room | MA200 + Far Field | All 3 together
In the following example, I'm using the "Classic Rock" website demo track with the SM57-3, Room-2, and FarField-2D IR's. As indicated in the comments, the order of the audio tracks are:
SM57 only | Room only | Far Field only | SM57 + Room | SM57 + Far Field | All 3 together
In the following example, I'm demonstrating how the tail length truncation affects the overall sound. As indicated in the comments, in the first half the tail is full at 500 ms; in the second half it is truncated to 42 ms. This will show the difference between using the full wave audio file or Nebula program in the DAW vs what can be expected coming out of the cab block in the Axe-Fx II. The tone is retained, however you lose most of the room reflections, as to be expected.
I have no estimations at this point of when this will be implemented, or what order I'll do them in, just that they will be released with each library update. No amount of begging, pleading, or demanding will influence this, however I am most certainly open to sizable bribes. :lol The 412-GTR Mesa V32 will probably be first as it is 100 percent current in terms of library features and capture methods.
Stay tuned to my Newsletter and/or Forum for more info as it breaks, hopefully this will be a welcome addition to your tonal palette, especially for you non-metal heads.