Musikron
Experienced
So I'm making the switch to my FM9 and officially trying to recreate the patches I use for my band. I've been using an Ultra for the last 7 or so years, and one song has a preset that uses a pitch block in front of the amp for well, whammy effects. And I also use a pitch block AFTER the cab for the chorus of the song where I'm doing an octave down blended in to help thicken and darken the tone for that part.
The problem lies with only ONE pitch block being available in the FM9. And I can't just use channels because the location of the block after the cab sounds completely different than at the beginning of the chain.
So what would you do to recreate the post cab octave down pitch block? I was toying with the idea using the multiplexer and send / return blocks, virtually changing the location of the block with a scene change, but maybe I'm just not caffeinated enough this morning to make sense of it? I don't need to use the whammy on the chorus, so in theory if I could route it properly it should work, but I may be pipe dreaming.
My back up plan is to try to make something happen with the synth block, but I never seem to have much luck achieving the sound in my head with that one.
Any possibility of adding a second pitch block in the FM9? Presets that were pushing 90% on my Ultra are hovering at around 60% on my FM9 once I "cloned" them block by block. So at least in my use case it seems the unit has the overall horsepower to handle it. Is there any reason we're limited to one out pitch block on the FM9? I will admit I was sort of surprised there's only one pitch block in there, not sure how that escaped me in my initial research when deciding if I was going FM9 or not.
The problem lies with only ONE pitch block being available in the FM9. And I can't just use channels because the location of the block after the cab sounds completely different than at the beginning of the chain.
So what would you do to recreate the post cab octave down pitch block? I was toying with the idea using the multiplexer and send / return blocks, virtually changing the location of the block with a scene change, but maybe I'm just not caffeinated enough this morning to make sense of it? I don't need to use the whammy on the chorus, so in theory if I could route it properly it should work, but I may be pipe dreaming.
My back up plan is to try to make something happen with the synth block, but I never seem to have much luck achieving the sound in my head with that one.
Any possibility of adding a second pitch block in the FM9? Presets that were pushing 90% on my Ultra are hovering at around 60% on my FM9 once I "cloned" them block by block. So at least in my use case it seems the unit has the overall horsepower to handle it. Is there any reason we're limited to one out pitch block on the FM9? I will admit I was sort of surprised there's only one pitch block in there, not sure how that escaped me in my initial research when deciding if I was going FM9 or not.