chucma
Fractal Fanatic
Would you mind posting the preset? The tone is very nice.
I think this might be the same preset that Alex has on his site (it has the same video):
https://alexstrabala.com/axefx-iii-presets/tweed-twin
Would you mind posting the preset? The tone is very nice.
Love this amp model... Urban played guitar on this tune so when I discovered it I had to learn it. The 5F8 paired with one of the AC30s has become my go-to sound on the AX3.
When you are gigging what is your setup for monitoring the Axe? SS or Tube power FRFR, guitar cab etc?I have been gigging mainly using a variation of the III's Fender Twin model, which sounds great and covers so much ground for me. I was working on setting up a new Strat for my brother, so was cycling through some presets and ran into this one. I know... late to the party, and it's been there a long time. But I've never spent a lot of time with it.
Finished the Strat (an HSS model) and picked up my 513. While the Strat did sound good, the PRS sounds great with this preset! Easy to control breakup with picking or a little volume control on the guitar, and has a great crunchy rhythm and lead tone opened up. I'm going to have to gig this one and see what it sounds like with the band.
If you haven't tried this for the range of blues, classic rock, and country you're missing out! Give it a spin.
I use one output to FOH and another to an FRFR monitor. I currently use the CLR Neo II, but have also used the RCF NX12SMA with good results. I like being able to change my monitor settings (volume/EQ) without affecting the FOH send, as that send is also used by the FOH desk to provide a monitor send to the other players.When you are gigging what is your setup for monitoring the Axe? SS or Tube power FRFR, guitar cab etc?
One thing I had to adjust to was hearing my “finished” sound on stage. With the FRFR, I was getting a sound more akin to what you hear monitoring in a studio with your amp blazing away in a sound room. The reason I liked it is because I had a much better impression of what the audience was hearing when my speakers were not lopping off the top and bottom of my effects. What, at first, sounded a little disconnected from what I was used to hearing on stage became a real confidence builder knowing what I was sounding like out front. It‘s just like the studio... who wants to sing with no effects or compression on the phones? Hearing the full sound on stage can be a big plus.The reason I ask is because I’ve tried the FRFR setup using a matrix 1x12 slanted and it just sounds pretty boxy to my ears and then I’ve gone back to traditional cab with a matrix power amp. Not super happy with either for some reason. I’ve never heard the Clears in person but I here guys like them.
How do you get that boxy sound out of your FRFR setup or is it an issue for your setup?
thanks
Link is in the video description, thanks!Would you mind posting the preset? The tone is very nice.
It's a Veritas Texas Miracle with Lollar Special T'sSounds so great! What is the guitar you're playing?
15 something.Which version of firmware was this preset created for on your webpage?