Never thought about acoustic feedback modelling, and now it is in the III I don’t know how I would play without it.
Never knew about impedance curve matching and now it is a really powerful tone shaping tool and another big step for authenticity and realism.
I wonder what the next big modelling problem there is to crack? Or are all the big issues solved now and it is just playing around the edges?
I imagine there is a bunch of work going on to put more impedance curves in the box, and to create a way to let people capture and add their own curves (this would be another game changer if 3rd party ir producers could include the actual curve as well!).
Maybe more work on ‘amp in the room’ or something?
Fun to think about
Never knew about impedance curve matching and now it is a really powerful tone shaping tool and another big step for authenticity and realism.
I wonder what the next big modelling problem there is to crack? Or are all the big issues solved now and it is just playing around the edges?
I imagine there is a bunch of work going on to put more impedance curves in the box, and to create a way to let people capture and add their own curves (this would be another game changer if 3rd party ir producers could include the actual curve as well!).
Maybe more work on ‘amp in the room’ or something?
Fun to think about